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Giovanna Garzoni, self-portrait Still Life with Bowl of Citrons, late 1640s, now in J. Paul Getty Museum. [1] Giovanna Garzoni (1600 – February 1670) was an Italian Baroque painter. She began her career painting religious, mythological, and allegorical subjects but gained fame for her still life botanical subjects painted in tempera and ...
Fede Galizia, better known as Galizia, (c. 1578 – c. 1630) was an Italian painter of still-lifes, portraits, and religious pictures. She is especially noted as a painter of still-lifes of fruit, a genre in which she was one of the earliest practitioners in European art.
Cristoforo Munari (July 21, 1667 – June 3, 1720) was an Italian painter in the Baroque period specializing in still life paintings. He was also known as Cristofano Monari . His initial training was in Reggio Emilia , his birthplace, and he came under the patronage of Rinaldo d'Este, Duke of Modena .
Morandi's studio in Via Fondazza. Giorgio Morandi (July 20, 1890 – June 18, 1964) was an Italian painter and printmaker widely known for his subtly muted still-life paintings of ceramic vessels, flowers, and landscapes—their quiet, meditative quality reflecting the artist's rejection of the tumult of modern life.
Vanitas still life (by 1681). Initially a pupil of Daniele Crespi, Cittadini moved to Bologna before the age of 20 to study with Guido Reni, whose influence is clearly evident in such early works as the Stoning of Saint Stephen, the Flagellation and the Crowning with Thorns in the church of Santo Stefano, Bologna. [1]
Bartolomeo Bimbi (15 May 1648 – 1729) was a Florentine painter of still lifes, commissioned by his patrons including Cosimo III, Grand Duke of Tuscany to paint large canvases of flora and fauna for the Medici Villa dell'Ambrogiana and della Topaia, now conserved in the Pitti Palace and the Museo Botanico dell'Universita.
Still life in a landscape with peaches, plums and artichoke. Aniello Ascione (fl 1680 –1708) was an Italian painter of still lifes. He is regarded as an important representative of the Flemish style of Baroque still life painting and a follower of the Flemish painter Abraham Brueghel who worked in Naples in the final quarter of the 17th century.
His notname is derived from a still-life with flower and fruits, on a table, kept at the Wadsworth Atheneum in Hartford, Connecticut. By comparing this painting with similar ones, a style group was created. Certain elements reminiscent of Caravaggio have been detected. Suggestions that these are by the young Caravaggio himself are reasonable ...