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The song was released on February 11, 2022, as the third single from Wickham's eighth studio album, Hymn of Heaven (2021). [1] Wickham co-wrote the song with Bill Johnson, Brian Johnson, and Chris Davenport. [2] Jonathan Smith produced the single. "Hymn of Heaven" peaked at number two on the US Hot Christian Songs chart. [3]
Hymn of Heaven is the eighth studio album by American contemporary Christian singer Phil Wickham. It was released on June 25, 2021, [1] by Fair Trade Services and Columbia Records. The album features a guest appearance by Brandon Lake. The album has been supported by the release of "Battle Belongs", "House of the Lord" and "Hymn of Heaven" as
The song was released on September 4, 2020, [1] as the lead single to his eighth studio album, Hymn of Heaven (2021). The song impacted Christian radio on October 16, 2020. [2] Wickham co-wrote the song with Brian Johnson, [3] and collaborated with Jonathan Smith in the production of the single. "Battle Belongs" peaked at No. 2 on the US Hot ...
"People of Heaven" is a song by Phil Wickham and Brandon Lake. It was released as a standalone single on July 28, 2023. [1] Lake and Wickham co-wrote the song with Brandon Breitenbach. [2] Aaron Robertson handled the production of the single. The song peaked at number 40 on the US Hot Christian Songs chart published by Billboard. [3]
Hymns is the fifth solo studio album and first Gospel album by American country music singer-songwriter Loretta Lynn. It was released on November 15, 1965, by Decca Records. [1] The album consists of 12 gospel and inspirational songs that were either popular over the years or were written by Lynn for this album.
Described as a "reverent and faithful paraphrase of Revelation 4:8–11" and of the Johannine vision of unending worship in Heaven, it is an example of Heber's dutiful attempt to avoid excessive emotionalism. [2] A defining characteristic is that the text does not "initiate praise", but is rather an invitation to join in an endless song.
The hymn's lyrics refer to the heavenly host: "Thee we would be always blessing / serve thee with thy hosts above".. At its first appearance, the hymn was in four stanzas of eight lines (8.7.8.7.D), and this four-stanza version remains in common and current use to the present day, being taken up as early as 1760 in Anglican collections such as those by Madan (1760 and 1767), Conyers (1772 ...
In Australia this song was the seventh most used song by the beginning of 2007 [3] There have been many interpretations of the song by many artists in all styles: gospel, R&B, soul, rock, dance, reggae, hip hop, rap, soca, ska, punk, a cappella amongst others and has been translated to a number of languages and recorded in a number of countries.