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A fanboy is a person considered to belong to one or more fandoms to a point of obsession. Fanboy or fanboys may also refer to: Fanboys, a 2009 American comedy film; FANBOYS, a grammar mnemonic for the coordinating conjunctions (for, and, nor, but, or, yet, and so) Fan Boy, a character from the X-Statix comic book series
Fanboy is the story of Finster, a rabid comic book fan and comic book store employee who dreams of becoming a professional comic book artist. Finster's daydreams are of classic comic book heroes, with himself inserted as a sidekick.
The term fan fiction has been used in print as early as 1938; in the earliest known citations, it refers to amateur-written science fiction, as opposed to "pro fiction". [3] [4] The term also appears in the 1944 Fancyclopedia, an encyclopaedia of fandom jargon, in which it is defined as "fiction about fans, or sometimes about pros, and occasionally bringing in some famous characters from ...
Writing a closed letter 'O' means that you are a private person and an introvert. If the dot on your 'i' lands high above the letter, you are considered to be imaginative.
Fans at a recital in Buenos Aires, Argentina. A fan or fanatic, sometimes also termed an aficionado, stan or enthusiast, is a person who exhibits strong interest or admiration for something or somebody, such as a celebrity, a sport, a sports team, a genre, a politician, a book, a movie, a video game or an entertainer.
fanboy n. An editor who opposes the deletion of an article that you want deleted. For example, should the article on the character Falstaff come up for deletion, a fanboy might defend the article by arguing that the character is commonly quoted, years after his creation. An extreme fanboy might then proceed to cite references to the character ...
Flash fiction has roots going back to prehistory, recorded at origin of writing, including fables and parables, notably Aesop's Fables in the west, and Panchatantra and Jataka tales in India. Later examples include the tales of Nasreddin, and Zen koans such as The Gateless Gate.
Aristotle's proscriptive analysis of tragedy, for example, as expressed in his Rhetoric and Poetics, saw it as having 6 parts (music, diction, plot, character, thought, and spectacle) working together in particular ways. Thus, Aristotle established one of the earliest delineations of the elements that define genre.