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Othello Navigator Archived 15 May 2016 at the Wayback Machine – Includes the annotated text, a search engine, and scene summaries. Othello public domain audiobook at LibriVox Othello at the Internet Broadway Database – lists numerous productions. Othello Archived 15 July 2020 at the Wayback Machine at the British Library
Othello Navigator Archived 15 May 2016 at the Wayback Machine—Includes the annotated text, a search engine, and scene summaries. Cinthio's Tale—A 19th-century English translation of Shakespeare's primary source. Othello—analysis, explanatory notes, and lectures. Othello—Scene-indexed and searchable version of the text.
Othello (also known as The Tragedy of Othello: The Moor of Venice) is a 1951 tragedy directed and produced by Orson Welles, who also adapted the Shakespearean play and played the title role. Recipient of the Grand Prix du Festival International du Film (precursory name for the Palme d'Or [ 3 ] ) at the 1952 Cannes Film Festival , the film was ...
Othello is a 1965 film based on the National Theatre Company's staging of Shakespeare's Othello (1964-1966) staged by John Dexter.Directed by Stuart Burge, the film stars Laurence Olivier, Maggie Smith, Joyce Redman, and Frank Finlay, who all received Oscar nominations, and provided film debuts for both Derek Jacobi and Michael Gambon.
Roderigo is introduced in the play's opening in Act One, Scene One, where, alongside Iago, he alerts Desdemona's father Brabantio that his daughter is eloping with Othello, a fact that Iago knows will cause him great annoyance. After breaking off from Iago, who hid in the earlier scene from Brabantio's sight, he joins Brabantio and his men in ...
Bianca is a fictional character in William Shakespeare's Othello (c. 1601–1604). She is Cassio's jealous lover. Despite her brief appearance on stage, Bianca plays a significant role in the progress of Iago's scheme to make Othello believe that his wife Desdemona is cheating on him with Cassio.
In English, the expression dates back to at least William Shakespeare's Othello (Act 1, Scene 1, ll. 126–127, c. 1601–1603): [1] I am one, sir, that comes to tell you your daughter and the Moor are now making the beast with two backs. [2]
There is debate among critics as to Emilia's character nature in Othello, with some deeming her a villain and some as the true hero of the play.This is because her allegiances initially seem to lie with her husband, and she displays the typical “wifely virtues of silence, obedience, and prudence" [2] of the Elizabethan period (as seen in her theft of the handkerchief in 3.1).