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"This Romeo Ain't Got Julie Yet" is a song written by Jimmy Olander and Eric Silver, and recorded by American country music group Diamond Rio. It was released in July 1993 as the third single from their album Close to the Edge. It peaked at number 13 in the United States, [1] and number 5 in Canada.
The lyric for Clark's "Romeo" was newly written by Jimmy Kennedy: Arthur Rebner is sometimes afforded a songwriting credit for "Romeo". [1] The song peaked at No. 3 on the UK Singles Chart dated 26 August 1961. [2] Despite peaking lower than her No. 1 UK comeback hit "Sailor", "Romeo" earned Clark her first Gold record by selling 400,000 units ...
A plague o' both your houses! is a catchphrase from William Shakespeare's tragedy Romeo and Juliet. The phrase is used to express irritation and irony regarding a dispute or conflict between two parties. It is considered one of the most famous expressions attributed to Shakespeare. [1]
"(Just Like) Romeo and Juliet" returned to the Hot 100 in 1975 via a remake by Sha Na Na which, despite falling short of the Top 40 with a #55 peak, [12] and #47 on the Easy Listening chart, [13] was the group's most successful single. A rival remake by Fallen Angels, also in 1975, reached #106 on the bubbling under the Hot 100 chart.
[4] It has parallels to Leonard Bernstein's West Side Story in telling a Romeo and Juliet-like story with Latin American characters set in New York. [5] [6] [7] Johnny is explicitly referred to as "a cool Romeo" and Jane as "a late Juliet. [4] [5] Johnny comes to midtown Manhattan after getting beat up while trying to work as a male escort. [4]
"Kissing You" featured in Romeo + Juliet when the title characters meet at a ball. The song was well received by critics for its emotional melody and toned-down production. First released as a single in Australia on 24 February 1997, it appeared on the ARIA Singles Chart and the UK Singles Chart.
The "real" success, however, came with the release of "Romeo Where's Juliet?", which was a moderate hit in the United Kingdom. The single reached number 46 on the British pop chart [ 1 ] and number 49 on the US Billboard Hot Dance Club Songs chart.
In the opening section of his Fantasy-Overture, Romeo and Juliet (1880), Tchaikovsky follows a minor chord with a half-diminished chord to striking effect: Tchaikovsky Romeo & Juliet bars 28-33 Tchaikovsky Romeo & Juliet bars 28-33. Gustav Mahler saw the opening movement of his Symphony No. 7" (1905) as a tragic night without stars or moonlight."