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List of paintings created during 1858–1871 1872–1878 1878–1881 1881–1883 1884 1884–1888 1888 1888–1898 1899–1904 1900–1926 This is a list of works by Claude Monet (1840–1926), including all the extant finished paintings but excluding the Water Lilies, which can be found here, and preparatory black and white sketches. Monet was a founder of French impressionist painting, and ...
Claude Monet was born on 14 November 1840 on the fifth floor of 45 rue Laffitte, in the 9th arrondissement of Paris. [3] He was the second son of Claude Adolphe Monet (1800–1871) and Louise Justine Aubrée Monet (1805–1857), both of them second-generation Parisians.
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The Poppy Field near Argenteuil (French: Coquelicots) is an oil-on-canvas landscape painting by the French Impressionist Claude Monet, completed in 1873.. Following its donation to the French state in 1906 by Étienne Moreau-Nélaton, it was housed successively in the Louvre, Musée des Arts Décoratifs and the Jeu de Paume.
Musée Marmottan Monet (English: Marmottan Museum of Monet) is an art museum in Paris, France, dedicated to artist Claude Monet. The collection features over three hundred Impressionist and Post-Impressionist paintings by Claude Monet, including his 1872 Impression, Sunrise .
Monet settled in Giverny in 1883. Most of his paintings from 1883 until his death 40 years later were of scenes within 3 kilometres (2 mi) of his home and gardens.Monet was intensely aware of and fascinated by the visual nuances of the region's landscape and by the endless variations in the days and in the seasons—the stacks were just outside his door.
The Beach at Sainte-Adresse is an 1867 oil-on-canvas painting by Claude Monet. Its first exhibition was in 1876 with favorable reactions. Its first exhibition was in 1876 with favorable reactions. It entered Jean-Baptiste Faure 's, a French singer and art collector, acquired it for his collection. [ 1 ]
Claiming that "Monet is the Impressionist painter par excellence", Duret argued that Monet inspired a new way of seeing and painting, that Monet was "no longer painting merely the immobile and permanent aspect of a landscape, but also the fleeting appearances which the accidents of atmosphere present to him, Monet transmits a singularly lively ...