Search results
Results From The WOW.Com Content Network
Aletheia or Alethia (/ æ l ɪ ˈ θ aɪ. ə /; [1] Ancient Greek: ἀλήθεια) is truth or disclosure in philosophy.Originating in Ancient Greek philosophy, the term was explicitly used for the first time in the history of philosophy by Parmenides in his poem On Nature, in which he contrasts it with doxa (opinion).
The ten-volume Routledge Encyclopedia of Philosophy mentions it only once, in the article "Lambert, Johann Heinrich (1728–77)": Part Two of the Neues Organon is the 'Alethiology or Doctrine of Truth'. Lambert’s key concern here is with the nature and function of the simple concepts that serve as the building blocks for the logical ...
In his essay, "The End of Philosophy and the Task of Thinking," Heidegger distinguishes "orthotes" from his concept of "Aletheia" ("unconcealment"), describing it as "the correctness of representations and statements."
Central to Heidegger's philosophy is the difference between being as such and specific entities. [51] [52] He calls this the "ontological difference", and accuses the Western tradition in philosophy of being forgetful of this distinction, which has led to misunderstanding "being as such" as a distinct entity. [51] [53] [54] (See reification)
Alice Liddell as the goddess Aletheia, photographed by Julia Margaret Cameron in 1872. Alethea is an English-language female first name derived from the Ancient Greek feminine noun ἀλήθεια, alḗtheia, 'truth'. Aletheia was the personification of truth in Greek philosophy.
The use of the word Charis enabled Ptolemaeus (quoted by Irenaeus, i. 8) to find in John 1:14 the first tetrad of Aeons, viz., Pater, Monogenes, Charis, Aletheia. The suspicion arises that it was with a view to such an identification that names to be found in the prologue of St. John's Gospel were added as alternative appellations to the ...
“The Still Life as a Personal Object - A Note on Heidegger and van Gogh”, ”Further Notes on Heidegger and van Gogh”, in: Theory and Philosophy of Art: Style, Artist, and Society, Selected papers 4, New York: George Braziller, 135-142; 143-151. Thomson, Iain D. (2011). Heidegger, Art, and Postmodernity. Cambridge University Press.
[2] One of these is the Being of beings in the sense of aletheia. Hofstadter praises Heidegger's project to free human beings from alienated ways of relating to things , "letting us find in it a real dwelling place instead of the cold, sterile hostelry in which we presently find ourselves."