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Johann Sebastian Bach composed suites, partitas and overtures in the baroque dance suite format for solo instruments such as harpsichord, lute, violin, cello and flute, and for orchestra. Harpsichord [ edit ]
Using the Bach edition prepared by cellist Johann Friedrich Dotzauer and published by Breitkopf & Härtel in 1826, Robert Schumann wrote arrangements with piano accompaniment for all six Bach cello suites. [17] Schumann's publisher accepted his arrangements of the Bach violin sonatas in 1854, but rejected his Bach cello-suite arrangements. [18]
Works for solo violin, cello or flute (not including works for solo keyboard instruments or lute which are contained elsewhere in the BWV catalogue and the New Bach Edition); Chamber music works for two or more players (where concertos for multiple players, and orchestral suites also fall outside the chamber music designation)
BWV 819a – Suite in E-flat major (alternative version of movement 1: Allemande from BWV 819) BWV 820 – Overture (Suite) in F major; BWV 821 – Suite in B-flat major (doubtful) [3] [4] BWV 822 – Suite in G minor, play Gavotte in G Minor, simulating a viola ⓘ BWV 823 – Suite in F minor
Ba Be Bi Bj Bl Bo Br Bu By B Ba Vahram Babayan (born 1948) Sonata for viola and piano, Op. 88 (1985) Sonata for viola solo, Op. 127 (2000) Milton Babbitt (1916–2011) Composition for viola and piano (1950); Associated Music Publishers Inc. Mehr “Du” for soprano, viola and piano (1991); C. F. Peters Play It Again, Sam for viola solo (1989); C. F. Peters Soli e Duettini for violin and viola ...
The orchestra of the concertos for one or more accompanied soloists (BWV 1041–1044, 1049–1050 and 1052–1065) consists in most cases of strings (two parts for violins and one viola part) and continuo (for example performed on cello and harpsichord).
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