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The six Cello Suites, BWV 1007–1012, are suites for unaccompanied cello by Johann Sebastian Bach (1685–1750). They are some of the most frequently performed solo compositions ever written for cello.
Johann Sebastian Bach composed suites, partitas and overtures in the baroque dance suite format for solo instruments such as harpsichord, lute, violin, cello and flute, and for orchestra. Harpsichord [ edit ]
Works for solo violin, cello or flute (not including works for solo keyboard instruments or lute which are contained elsewhere in the BWV catalogue and the New Bach Edition); Chamber music works for two or more players (where concertos for multiple players, and orchestral suites also fall outside the chamber music designation)
Meyer plays three of JS Bach's Cello Suites BWV 1007-1012. Performing cello suites on a double bass offers intriguing challenges. Meyer recorded Suites I, II and V. There also are recordings of all six Suites by Richard Hartshorne (on Centaur), Gerd Reinke (on rclcds) and François Rabbath (on Solstice). Gary Karr recorded Suites IV, V and VI ...
Introduction and Scherzino for solo cello, Op. 93 (1999) Suite for cello solo, Op. 124 (2004) Faradzh Karayev (aka Faraj Garayev) Terminus for solo cello (1985) Hugo Kauder. Suite (1925) Second Suite (1924) Frederick Kaufman. Inner Sanctum (1999) Tālivaldis Ķeniņš. Sonata for Cello Solo (1981) Jin Hi Kim. Kee Maek #4 (1995) Natalie Klouda
Bach did write several other ouverture (suites) for solo instruments, notably the Cello Suite no. 5, BWV 1011, which also exists in the autograph Lute Suite in G minor, BWV 995, the Keyboard Partita no. 4 in D, BWV 828, and the Overture in the French style, BWV 831 for keyboard.