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Christ lag in Todes Banden (also spelled Todesbanden; [a] "Christ lay in death's bonds" [2] or "Christ lay in the snares of death"), [3] BWV 4, is a cantata for Easter by German composer Johann Sebastian Bach, one of his earliest church cantatas. It is agreed to be an early work partly for stylistic reasons and partly because there is evidence ...
Two of the funeral sentences, "Man that is born of a woman" Z. 27 and "In the midst of life we are in death" Z. 17, survive in autograph score. The Music for the Funeral of Queen Mary comprises the March and Canzona Z. 780 [ 1 ] and the funeral sentence " Thou knowest, Lord, the secrets of our hearts " Z. 58C.
This office, as it exists in the Roman Rite up to and including the current 1960 Roman Breviary, is composed of First Vespers (known as The Placébo from the first word of its opening antiphon) Matins and Lauds (traditional known together as The Dírige from the opening antiphon of the first nocturn of Matins), and the Mass (known as The Requiem from the first word of its proper opening chant ...
The Book of Common Prayer text of "In the midst of life we are in death" has been set to music in the Booke of Common praier noted (1550) by John Merbecke [11] and in Music for the Funeral of Queen Mary by Henry Purcell. A well-known adaptation is the 1550s choral work Media vita in morte sumus by John Sheppard.
John Speed's Genealogies recorded in the Sacred Scriptures (1611), bound into first King James Bible in quarto size (1612). The title of the first edition of the translation, in Early Modern English, was "THE HOLY BIBLE, Conteyning the Old Teſtament, AND THE NEW: Newly Tranſlated out of the Originall tongues: & with the former Tranſlations diligently compared and reuiſed, by his Maiesties ...
The Alexandrian Rite is the liturgical rite of the Coptic Orthodox Church.The Memorial Acclamation is present within the conclusion of the Institution Narrative of all three liturgies of the rite, which are the Liturgy of St. Cyril, the Liturgy of St. Basil, and the Liturgy of St. Gregory.
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Eventually these settings became a separate form of Passion music. Perhaps the most outstanding work in this genre in the Lutheran tradition is the work by Heinrich Schütz. Joseph Haydn composed string quartets titled Die sieben letzten Worte unseres Erlösers am Kreuze (The seven last words of our Redeemer on the cross).