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Traditional Chinese visual design elements: their applicability in contemporary Chinese design (Master of Science in Design thesis). Arizona State University. Welch, Patricia Bjaaland (2012). Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208. Williams, Charles (2006).
Decoration by underglaze painted patterns had long been a feature of Chinese pottery, especially in the popular Cizhou ware (mostly using black over slip), but was perhaps regarded as rather vulgar by the court and the literati class, and the finest ceramics were monochrome, using an understated aesthetic with perfect shapes and subtle glaze ...
Small cup with the "Five Treasures", Chenghua reign mark, 2.9 × 7 cm, PDF.767. Doucai (Chinese: 斗彩; Wade–Giles: tou-ts'ai) is a technique in painting Chinese porcelain, where parts of the design, and some outlines of the rest, are painted in underglaze blue, and the piece is then glazed and fired.
A bowl made around 900 years ago has just fetched $38 million at auction, setting a new record for Chinese porcelain. The antique Chinese bowl was made around 900 years ago during the Song Dynasty ...
Modern bowls can be made of ceramic, metal, wood, plastic, and other materials. Bowls have been made for thousands of years. Very early bowls have been found in China, Ancient Greece, Crete and in certain Native American cultures. In Ancient Greek pottery, small bowls, including phiales and pateras, and bowl-shaped cups called kylices were used
This impression of China was reinforced by the exotic Chinese goods and luxuries that appeared in Europe, such as spices, silk, tea, and porcelain. Motivated by the splendid material culture, intellectuals ceaselessly explore Chinese civilisation. [9] This positive view of Chinese civilization also existed among the Dutch early-modern authors.