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The Human Centipede (First Sequence) is a 2009 Dutch independent body horror film written, directed and co-produced by Tom Six.The film concerns a deranged German surgeon who kidnaps three tourists and conjoins them surgically, mouth to anus, forming the eponymous "human centipede".
The Human Centipede 3 (Final Sequence) is a 2015 black comedy body horror film written and directed by Tom Six and starring Dieter Laser and Laurence R. Harvey, the leading actors from the first two films in new roles, Robert LaSardo, Tommy "Tiny" Lister, Jay Tavare, Eric Roberts, Bree Olson, Clayton Rohner, and Bill Hutchens as well as a cameo by Six.
Cycle 9's Sarah Hartshorne recalled 'between 100 and 200 girls' that were herded 'along a wall in a single-file line' to audition for the Tyra Banks show. ... but also human centipede-ing ...
The Human Centipede 2 (Full Sequence) is a 2011 psychological body horror film [4] written, directed, and co-produced by Tom Six.An international co-production of the Netherlands and the United States, and the sequel to Six's 2009 film The Human Centipede (First Sequence), the film stars Laurence R. Harvey as a psychiatrically and intellectually impaired English man who watches and becomes ...
Olson subsequently appeared in the independent comedy film Purgatory Comics (2009), [15] co-starred in the horror film The Human Centipede 3 (Final Sequence) (2015), [16] and appeared in Penn Jillette and Adam Rifkin's Director's Cut (2016). [17] [failed verification] In 2015, she played Divatox in the short web film Power/Rangers.
Ashlynn Yennie (born May 15, 1985) is an American actress from Riverton, Wyoming.She is best known for her role in the 2009 Dutch horror film The Human Centipede (First Sequence) [1] and its 2011 sequel.
The Human Centipede 2 (Full Sequence) Banned due to its gore, violence and sexually explicit content. [352] 2012 A Serbian Film: Banned by the government on May 25, 2012, due to "objectionable content" (offensive depictions of sexual violence, pedophilia, extreme violence, necrophilia and/or other content that is offensive and abhorrent) [353] 2013
It’s become an annual ritual: Every Jan. 1, more classic works of art or characters enter the public domain, and exploitation filmmakers with a tiny budget and a big taste for grisliness are ...