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The Tale of the Bamboo Cutter (Japanese: 竹取物語, Hepburn: Taketori Monogatari) is a monogatari (fictional prose narrative) containing elements of Japanese folklore. Written by an unknown author in the late 9th or early 10th century during the Heian period , it is considered the oldest surviving work in the monogatari form.
A representative sampling of Japanese folklore would definitely include the quintessential Momotarō (Peach Boy), and perhaps other folktales listed among the so-called "five great fairy tales" (五大昔話, Go-dai Mukashi banashi): [3] the battle between The Crab and the Monkey, Shita-kiri Suzume (Tongue-cut sparrow), Hanasaka Jiisan (Flower-blooming old man), and Kachi-kachi Yama.
Myths related the Sun, the Moon, and the Storm kami are full of strife and conflict. [10] The Sun goddess and her sibling the moon god's interpersonal conflicts explain, in Japanese myth, why the Sun and the Moon do not stay in the sky at the same time — their distaste for one another keeps them both turning away from the other. [1]
Tsuru no Ongaeshi (鶴の恩返し, lit."Crane's Return of a Favor") is a story from Japanese folklore about a crane who returns a favor to a man. A variant of the story where a man marries the crane that returns the favor is known as Tsuru Nyōbō (鶴女房, "Crane Wife").
Shita-kiri Suzume (舌切り雀, shita-kiri suzume), translated literally into "Tongue-Cut Sparrow", is a traditional Japanese fable telling of a kind old man, his avaricious wife and an injured sparrow. The story explores the effects of greed, friendship and jealousy on the characters.
"The Dream of Akinosuke" (あきのすけの夢, Akinosuke no Yume) is a Japanese folktale, made famous outside Japan by Lafcadio Hearn's translation of the story in Kwaidan: Stories and Studies of Strange Things.
The conventions of the genre -- violence, fantasy, and morality – were gobbled up, roiled, rearranged fluidly, and spit back out anew. Angela Carter first did this in 1979 with The Bloody Chamber, a powerfully savage collection that morphs delicate Beauty into a beastly tigress. Rather than merely mocking the conventions upheld by sedate ...
Tamamo-no-Mae (玉藻前, 玉藻の前, also 玉藻御前) is a legendary figure in Japanese mythology. One of the stories explaining the legend comes from Muromachi period (1336 to 1573) genre fiction called otogizōshi. In the otogizōshi Tamamo-no-Mae was a courtesan under the Japanese Emperor Konoe (who reigned from 1142 through 1155).