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The kendang usually has the function of keeping the tempo (laya) while changing the density , and signaling some of the transitions (paralihan) to sections and the end of the piece (suwuk). In the dance or wayang performance, the kendang player will follow the movements of the dancer, and communicate them to the other players in the ensemble.
Sundanese dance is usually cheerful, dynamic and expressive, with flowing movements in-sync with the beat of kendang accompanied with Gamelan degung music ensemble. In Sundanese culture the term ngibing means "to dance", but it is indeed performed in particular Sundanese style, usually performed between male and female couple. In West Java, all ...
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The pakhavaj is a barrel-shaped, two-headed drum, originating from the Indian subcontinent, [1] kendang of Maritime Southeast Asia and other South Asian double-headed drums. . Its older forms were made with c
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Celempungan is a Sundanese musical genre that includes several musical instruments such as kacapi, kendang, goong/gong, and suling or rebab (optional), and Juru Kawih (singer). Kendang, the drum, controls the tempo of the ensemble and reinforces the meter. Celempungan is named for the celempung, a bamboo tube zither from West Java. [1]
A set of kendang, consisting of one large (kendang indung) and two small double-sided drums (kulantér). Suling degung: a four-holed bamboo flute. Suling kawih: a six-holed bamboo flute, interchangeably used with suling degung; Gambang: a wooden xylophone. Kacapi: a zither. In classical degung, the bonang serves as a conductor for the whole ...
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