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  2. MP3Gain - Wikipedia

    en.wikipedia.org/wiki/MP3Gain

    MP3Gain is an audio normalization software tool. The tool is available on multiple platforms and is free software.It analyzes the MP3 and reversibly changes its volume. The volume can be adjusted for single files or as album where all files would have the same perceived loudness.

  3. ReplayGain - Wikipedia

    en.wikipedia.org/wiki/ReplayGain

    ReplayGain is a proposed technical standard published by David Robinson in 2001 to measure and normalize the perceived loudness of audio in computer audio formats such as MP3 and Ogg Vorbis. It allows media players to normalize loudness for individual tracks or albums.

  4. mp3DirectCut - Wikipedia

    en.wikipedia.org/wiki/Mp3DirectCut

    An MP3 file can be edited without transcoding. Cut, copy, paste, and volume change operations are provided; edits can be previewed, including a command that plays a segment without a selected region (previewing a cut) Audio normalization and pause detection; MP3 recording with ACM or LAME encoder (not bundled) Fast MP3 visualization

  5. Search, sort, and manage files with the Download Manager in ...

    help.aol.com/articles/search-sort-and-manage...

    1. Launch AOL Desktop Gold. 2. Sign in with your username and password. 3. Click File at the top of your screen. 4. Click Download Manager. 5. Click a File Name to open a download.

  6. FLAC - Wikipedia

    en.wikipedia.org/wiki/FLAC

    An exact restoration from a lossy copy (e.g., MP3) of the same data is impossible. FLAC's being lossless means it is highly suitable for transcoding e.g. to MP3, without the normally associated transcoding quality loss between one lossy format and another. A CUE file can optionally be created when ripping a CD.

  7. High-resolution audio - Wikipedia

    en.wikipedia.org/wiki/High-resolution_audio

    High-resolution audio (high-definition audio or HD audio) is a term for audio files with greater than 44.1 kHz sample rate or higher than 16-bit audio bit depth.It commonly refers to 96 or 192 kHz sample rates.

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  9. EBU R 128 - Wikipedia

    en.wikipedia.org/wiki/EBU_R_128

    The same peak level does not necessarily produce the same loudness, because the use of dynamic range compression and limiting can increase the average level of the programme without increasing its peak level. Starting from the early 1990s through the early 2010s, both the music and the advertising industries urged the continuation of this ...