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"In My Life" is a song by the English rock band the Beatles, released on their 1965 studio album, Rubber Soul. Credited to the Lennon–McCartney songwriting partnership, the song is one of only a few in which there is dispute over the primary author; John Lennon wrote the lyrics, but he and Paul McCartney later disagreed over who wrote the melody. [3]
“In My Life” also made harpsichord trendy, despite the fact that George Martin’s instrumental bridge was actually played on piano and then sped up to achieve a harpsichord-like sound. 4. Sgt.
In My Life is a 1998 album compiled and produced by George Martin. It consists almost entirely of cover versions of The Beatles songs which Martin produced originally, together with one original composition "Friends and Lovers". Jeff Beck's version of "A Day in the Life" was nominated for the Grammy Award for Best Pop Instrumental Performance ...
The harpsichord-like solo on "In My Life" led to a wave of baroque rock recordings. [341] [342] Rubber Soul was also the release that encouraged many folk-music aficionados to embrace pop. [209] Folk singer Roy Harper recalled: "They'd come onto my turf, got
Martin himself recorded a baroque-style piano solo on John Lennon's "In My Life", recording the tape at half-speed and playing it back at normal speed so the piano sounded like a harpsichord. Though Martin didn't play a harpsichord on the record, "In My Life" inspired other record producers to begin incorporating the instrument in their ...
Baroque pop (sometimes called baroque rock) is a fusion genre that combines rock music with particular elements of classical music. [1] [4] [5] It emerged in the mid-1960s as artists pursued a majestic, orchestral sound [4] and is identifiable for its appropriation of Baroque compositional styles (contrapuntal melodies and functional harmony patterns) and dramatic or melancholic gestures. [3]
Mitzi Meyerson specializes in researching little-known or lost works for the harpsichord, which she then brings to light in recordings. For example, she discovered the lost collection of "Chamber Airs for the Violin (and Thorough Bass)" by Richard Jones , a composer in London at the time of Handel .
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