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Beyond the Streets is a graffiti and street art exhibition and gallery created and curated by Roger Gastman. [1] [2] The first exhibition was held in 2018 in Los Angeles, USA [3] and has since occurred yearly. In 2022, a permanent gallery and store was opened at the location of the original exhibition in LA. [4]
Following the success of the publication, which was reputed to be one of the most widely read graffiti publications ever, Same Same was released in 2014. [5] In 2019 Moses and Taps collaborated with the photographer Edward Nightingale to produce Memento Mori on the occasion of the Rose Béton Biennale. [ 6 ]
Street art is often developed in order to create artworks that are outside of the scope of normalized art standards. Street Art has been a major part of the Bay Area's culture since the early 1980s. As the years went on street art became more and more prevalent in the Bay Area. [1] While in some areas of San Francisco this art is done with the ...
Tim Conlon (born 1974 in Alexandria, Virginia) is an American artist and graffiti writer known for large-scale murals and works on canvas. He was featured as one of several artists (including Kehinde Wiley and poet, Nikki Giovanni) in the Smithsonian National Portrait Gallery exhibit, Recognize!
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A heavily tagged subway car in New York City in 1973. By the mid-1970s, most standards had been set in graffiti writing and culture. The heaviest "bombing" in U.S. history took place in this period, partially because of the economic restraints on New York City, which limited its ability to combat this art form with graffiti removal programs or transit maintenance.
Smear (Cristian Gheorghiu) (Los Angeles) – graffiti, street art, contemporary painter The Splasher (New York City) – a serial vandal who splattered other works of street art with paint Stay High 149 (born Wayne Roberts; October 20, 1950 – June 11, 2012; New York) – graffiti artist [ 3 ] [ 4 ]
In 1971, Diaz was first introduced to the burgeoning graffiti culture by his older cousin Gilberto "SIETE" Diaz when he was just 12 years old. [4] His cousin lived in Washington Heights, which was a locus of graffiti production at the time, and taught Diaz about the traditional style of writing graffiti: combining a moniker, or nickname, with a number. [6]