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The variant called Super 16 mm, Super 16, or 16 mm Type W is an adaptation of the 1.66 (1.66:1 or 15:9) aspect ratio of the "Paramount format" [8] to 16 mm film. It was developed by Swedish cinematographer Rune Ericson in 1969, [ 9 ] using single-sprocket film and taking advantage of the extra room for an expanded picture area of 12.52 mm × 7. ...
DuPont no longer manufactures film. It first entered the 35mm motion picture market in 1926. [3] [4]Rapid X Reversal Pan (discontinued) The list below is of film stocks in use in 1956; the "B" designation was for 35mm, "A" was 16mm.
The 416 camera series is designed for 16mm filmmaking in the Super 16 format. The 416 series has some features that are derived from Arri's 35mm cameras. The 416 series is compatible with some 35mm camera accessories, such as PL-mount lenses, base plates, matte boxes, follow focus units, and more.
United Artists also sent 16mm prints of most of the Warner Bros. and Monogram films to the Wisconsin Center for Film and Theater Research, such as My Four Years in Germany (1918), [19] Conductor 1492 (1924), Midnight Lovers (1926) and Joe Palooka in Triple Cross (1951). Titles and holdings are listed in the various M/B/RS catalogs.
Basket Case (film) Beach Rats; Beasts of the Southern Wild; Beeswax (film) Bellyfruit; Between the Temples; The Big Hurt (film) Bird (2024 film) Black Swan (film) Blood Hook; Blue Movie; The Body Remembers When the World Broke Open; Bolivia (film) The Brain Leeches; Breakaway (1966 film) The Bridge (1992 film) Brother to Brother (film ...
Auricon cameras were 16 mm film Single System sound-on-film motion picture cameras manufactured in the 1940s through the early 1980s. Auricon cameras are notable because they record sound directly onto an optical or magnetic track on the same film that the image is photographed on, thus eliminating the need for a separate audio recorder.
The amount of silver in the film stock was reduced. [6] [7] Tri-X also exists as a reversal film for the 16 mm and Super-8 cine film formats. The speed for tungsten lighting (3200 K) is ISO 160 and for daylight ISO 200 when processed as reversal. It can also be processed as a negative at a small loss of speed while the grain will be slightly ...
Victor's first 16mm camera was a hand-cranked rectangular aluminum box designed for the additional film economy of cranking only 14 frames per second instead of the standard sixteen. A later version of this first Victor was driven by an electric motor.