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16 mm film is a historically popular and economical gauge of film. 16 mm refers to the width of the film (about 2 ⁄ 3 inch); other common film gauges include 8 mm and 35 mm. It is generally used for non-theatrical (e.g., industrial, educational, television) film-making, or for low-budget motion pictures.
TV Recording Film, Type 834 B and A, B&W (discontinued) The 1969 list is identical to 1966. [8] 1969 is the last appearance of DuPont motion picture film stocks in the American Cinematographer Manual. The list below is from 1970; "A" was 16mm, "B" was 35mm. [9] Films marked with ‡ could also be processed as a negative film stock
These models still found use in post-production recording of sound onto magnetic sound stock. As long as 16mm film stock and processing remains available, the Auricon is still usable for filming both picture and recording optical sound-on-film (despite its lower fidelity compared to magnetic and digital recording).
A silent home movie on 16mm black-and-white reversal double-perforation film stock. Agfa began to produce motion picture film in 1913, but remained a largely local supplier until World War I boycotts of popular French, American and Italian film stocks allowed the UFA film studio to flourish, boosting Agfa's
This is the film from which all other copies will be made. It is known as raw stock prior to exposure. The size of a roll varies depending on the film gauge and whether or not a new roll, re-can, or short end was used. One hundred or 400 foot rolls are common in 16mm, while 400 or 1,000 foot (ft) rolls are used in 35mm work.
But according to producer Don Murphy, Stone lured him by promising Richardson he could have freedom to make the film visually wild, using multiple film stocks (video, 16mm, whatever he wanted).
Producers Library was founded in 1957, when the "librarians at —RKO and MGM—decided to form their own company". [5]The archival footage from Producers Library has been used in major Hollywood feature films such as the intro to L.A. Confidential, [6] [7] where their stock footage shots of Los Angeles in the 1950s transport the viewer to the time period in which the film takes place.
Ciné-Kodak Special, film transport section only. Earlier Kodak 16 mm movie cameras, including the Ciné-Kodak Models B, F and K, shared a common design, being rectangular boxes with a top-mounted handle and a lens extending from the smallest side, similar in shape to a briefcase but smaller. [1]