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The end scene shows everyone afterwards: Link and Bobbie are now together; Chic, who was actually gay, dances at a club with his partner; Miss Mitzi finds a new partner, and they are happy together; John and Beverly are happier than before and dance in the kitchen; Vern, newly married to his fiancée, dances with her at their wedding; the ...
Shall We Dance? (Japanese: Shall we ダンス?, Hepburn: Sharu wī dansu) is a 1996 Japanese romantic comedy-drama film directed by Masayuki Suo. Its title refers to the song "Shall We Dance?" which comes from Rodgers and Hammerstein's The King and I. It inspired the 2004 English-language remake of the same name.
The singer's most challenging role yet, it required her along with the cast to learn ballroom dance numbers–paso doble, the waltz, the tango and the cha-cha choreographed by choreographer JoAnn Jansen. [13] Released Fall 2004, Shall We Dance? was a box office hit, however received generally mixed reviews. [14] [15] [16]
Shall We Dance is a 1937 American musical comedy film directed by Mark Sandrich.It is the seventh of the ten Fred Astaire-Ginger Rogers films. The story follows an American ballet dancer (Astaire) who falls in love with a tap dancer (Rogers); the tabloid press concocts a story of their marriage, after which life imitates art.
"Shall We Dance?" (1951 song), a Rodgers and Hammerstein song from the musical The King and I "Shall We Dance", a 1981 song by Bram Tchaikovsky "Shall We Dance", a George and Ira Gershwin song, the finale to the 1937 film Shall We Dance
No dance sequence follows, which was unusual for the Astaire-Rogers numbers. Astaire and Rogers did dance to it later in their last movie The Barkleys of Broadway (1949) in which they played a married couple with marital issues. The song, in the context of Shall We Dance, notes some of the things that Peter (Astaire) will miss about Linda ...
"Slap That Bass" is a song composed by George Gershwin, with lyrics by Ira Gershwin, introduced by Fred Astaire and Dudley Dickerson in the 1937 film Shall We Dance. [3] The song refers to the slap style of double bass playing that was popular at the time.
The first four bars of "Let's Call the Whole Thing Off" "Let's Call the Whole Thing Off" is a song written by George Gershwin and Ira Gershwin for the 1937 film Shall We Dance, where it was introduced by Fred Astaire and Ginger Rogers as part of a celebrated dance duet on roller skates. [5]