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The Ottoman Divan poetry tradition embraced the influence of the Persian and, to a lesser extent, Arabic literatures. As far back as the pre-Ottoman Seljuk period in the late 11th to early 14th centuries CE, this influence was already being felt: the Seljuks conducted their official business in the Persian language, rather than in Turkish, and the poetry of the Seljuk court was highly ...
This is a list of poets who wrote under the auspices of the Ottoman Empire, or — more broadly — who wrote in the tradition of Ottoman Dîvân poetry. Male poets [ edit ]
Yahya Bey took part in the Battle of Chaldiran of 23 August 1514 during his youth, led by Sultan Selim I, as well as the Ottoman–Mamluk War of 1516–17 and Baghdad's expedition of 1535 under Sultan Suleiman. He earned the respect of major figures due to his poetry. [4] Yahya was inspired by where he spent most of his early years, in Ottoman ...
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A Mughal scribe and Daulat, his illustrator, from a manuscript of the Khamsa of Nizami, one of the most famous Persian diwan collections. In Islamic cultures of the Middle East, North Africa, Sicily [1] and South Asia, a Diwan (Persian: دیوان, divân, Arabic: ديوان, dīwān) is a collection of poems by one author, usually excluding his or her long poems ().
Ottoman Divan poetry was a highly ritualized and symbolic art form. From the Persian poetry that largely inspired it, it inherited a wealth of symbols whose meanings and interrelationships—both of similitude (مراعات نظير mura'ât-i nazîr / تناسب tenâsüb ) and opposition (تضاد tezâd )—were more or less prescribed.
Other poems of his, such as the so-called "infidel" poem, generally read as Nedîm describing his love for a person whose gender he can not figure out, could, according to Gültekin, also be related back to his criticism of gender ambiguity in traditional Ottoman poetry. [8] [16] The lines in which this is most obvious is the following: [8]
Bâkî lived during the height of the Ottoman Empire, and this affected his poetry greatly. Love, the joy of living, and nature are the primary subjects of his poems. Although almost no Sufi influence is found in his poetry—as it is in many other Ottoman-era poets—his concept of love as revealed in his poetry was not entirely divorced from the Sufi concept t