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A solo steel drum player performs with the accompaniment of pre-recorded backing tracks that are being played back by the laptop on the left of the photo.. A backing track is an audio recording on audiotape, CD or a digital recording medium or a MIDI recording of synthesized instruments, sometimes of purely rhythmic accompaniment, often of a rhythm section or other accompaniment parts that ...
Damn Right, I've Got the Blues is the seventh studio album by Blues guitarist Buddy Guy. The album has been described by Allmusic and Rolling Stone as a commercial comeback album for Guy [4] [5] after limited recording for the previous 10 years. In 2005 the album was reissued as Damn Right, I've Got The Blues Expanded Edition, featuring two ...
Ronnie Wood - Vocals, guitar, bass (track 5), harmonica (track 10), keyboards (track 2) Slash - Guitar (tracks: 1, 2, 7, 10, 12); Bob Rock - Guitar (tracks: 3, 6 ...
Among the tracks covered on the album is the Albert King song "The Hunter", which Rodgers had previously recorded with Free on their debut album Tons of Sobs. As well as the standard one-disc edition, a limited edition version was also released featuring a bonus disc of re-recordings of Free and Bad Company hits.
A Hard Road is the third album (and second studio album) recorded by John Mayall & the Bluesbreakers, released in 1967.It introduced Peter Green on lead guitar following the departure of Eric Clapton, and also featured John McVie on bass, Aynsley Dunbar on drums and John Almond on saxophone.
Blues License is the sixth studio album by Australian musician Renée Geyer. The album was released in June 1979 and peaked at number 41 on the Kent Music Report . Track listing
The Blues Anytime tracks were released again by Immediate in 1969 as two double albums titled Anthology of British Blues, albeit presented in a different running order. The first was made up of Vol. 1 side A, Leftovers side A, Vol. 3 side A and Vol. 2 side B, [ 7 ] with the second being Vol. 1 side B, Leftovers side B, Vol. 2 side A and Vol. 3 ...
"Freddie Freeloader" is a composition by Miles Davis and is the second track on his 1959 album Kind of Blue. The piece takes the form of a twelve-bar blues in B ♭, but the chord over the final two bars of each chorus is an A ♭ 7, not the traditional B ♭ 7 followed by either F7 for a turnaround or some variation of B ♭ 7 for an ending.