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The katholikon was designed by Aleksey Shchusev. Marfo-Mariinsky Convent, or Martha and Mary Convent [1] of Mercy in the Possession of Grand Duchess Elizabeth Feodorovna (Russian: Марфо-Мариинская обитель, Марфо-Мариинская обитель милосердия во владении великой княгини Елизаветы Фёдоровны, romanized ...
A Mary and Martha Society is a volunteer group associated with various Christian churches, each group being independent of the others. Even when the group appears in a hierarchical organization , for example the Roman Catholic Church , the group is only serving that particular church, not with the larger organization.
Mary and Martha may refer to: Jesus at the home of Martha and Mary, a story in Luke 10; Mary and Martha, sisters of Lazarus of Bethany, in John 11 Mary of Bethany; Martha; Mary and Martha, a 2013 British television movie starring Hilary Swank and Brenda Blethyn; Mary and Martha Society, a Christianity-based service organization
Christ at the home of Mary and Martha, by Henry Ossawa Tanner. Christ at the home of Mary and Martha is a painting by Henry Ossawa Tanner of the New Testament episode known as Christ in the House of Martha and Mary. It was completed about 1905 and permanently in the collections of the Carnegie Museum of Art in Pittsburgh, Pennsylvania. [1]
Christ in the House of Martha and Mary by Tintoretto, 1570s. Jesus at the home of Martha and Mary, in art usually called Christ in the House of Martha and Mary, and other variant names, is a Biblical episode in the life of Jesus in the New Testament which appears only in Luke's Gospel (Luke 10:38–42), immediately after the Parable of the Good Samaritan (Luke 10:25–37). [1]
English: Study for Christ at the Home of Martha and Mary Oil on wood panel, circa 1905. 199x229 mm; 7 7/8x9 inches. "The large, final version on canvas of Christ at the Home of Martha and Mary is in the permanent collection of the Carnegie Museum of Art, Pittsburgh, PA." The final painting was made about 1905.
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Christ in the House of Martha and Mary is an oil-on-canvas painting by the Spanish artist Diego Velázquez, dating to his Seville period, now in the National Gallery, London. It was probably painted in 1618 (it is dated, but the "8" is "fragmentary" and uncertain), [ 1 ] shortly after he completed his apprenticeship with Pacheco .