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Liebestraum No. 3 in A-flat major is the most familiar of the three nocturnes and is in three sections, each divided by a fast cadenza requiring dexterous fingerwork and a high degree of technical ability. One melody is used throughout, and varied, notably near the middle of the nocturne, at a climax, where it is played in a series of octaves ...
The ABRSM (Associated Board of the Royal Schools of Music) is an examination board and registered charity [2] based in the United Kingdom. ABRSM is one of five examination boards accredited by Ofqual to award graded exams and diploma qualifications in music within the UK's National Qualifications Framework (along with the London College of Music, RSL Awards (Rockschool Ltd), Trinity College ...
Étude Op. 10, No. 12 in C minor, known as the "Revolutionary Étude" or the "Étude on the Bombardment of Warsaw", [1] is a solo piano work by Frédéric Chopin written c. 1831, and the last in his first set, Études, Op. 10, dedicated "à son ami Franz Liszt" ("to his friend Franz Liszt").
The Scherzo No. 2 in B ♭ minor, Op. 31 is a scherzo by Frédéric Chopin. The work was composed and published between 1835 and 1837, [ 1 ] and was dedicated to Countess Adèle Fürstenstein. As pianist David Dubal has written, [ 2 ] Robert Schumann compared this scherzo to a Byronic poem, "so overflowing with tenderness, boldness, love and ...
According to 5th ed. of Grove (1954), Nos. 1 and 2 (settings of Uhland) were written in c. 1849 and published in 1850, but No. 3 (a Freiligrath setting) was written in c. 1845 and published in 1847. The piano transcription of No. 3 is more effective than the other two, at least for concert performance, and this to my mind is doubtless why the ...
The compositions take the musical style of nocturnes [1] with each having its own distinctive style. [2] Each Consolation is composed in either the key of E major or D ♭ major. E major is a key regularly used by Liszt for religious themes. [3] [4] There exist two versions of the Consolations.
The 24 Preludes and Fugues, Op. 87 by Dmitri Shostakovich are a set of 24 musical pieces for solo piano, one in each of the major and minor keys of the chromatic scale.The cycle was composed in 1950 and 1951 while Shostakovich was in Moscow, and premiered by pianist Tatiana Nikolayeva in Leningrad in December 1952; [1] it was published the same year.
Secondary melody in Op 62 No 2 Agitato third theme of Op 62 No 2 Page 4 of Nocturne, op.62/2 (autograph manuscript) The Nocturne in E major is another reflective and contrapuntally engaging piece. The nocturne's thematic structure (A–B–C–A–B) consists of a slow primary theme in E major, followed by a more quickly moving secondary ...