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Folk graphic and plastic arts – including calligraphy, tattooing, writing, drawing, and painting; Ornaments – including mask-making, accessory-making, ornamental metal crafts; Textile (fiber) art – including headgear weaving, basketry, and fishing gear; Pottery – including ceramics, clay pots and sculpture
Letras y figuras (Spanish, "letters and figures") is a genre of painting pioneered by José Honorato Lozano during the Spanish colonial period in the Philippines. The art form is distinguished by the depiction of letters of the alphabet using a genre of painting that contoured shapes of human figures, animals, plants, and other objects called ...
Pop art, mixed-media installations, modern art, figurative art, conceptual art Anton Del Castillo (born in 1976 in Tondo , Manila, Philippines) is a multi-awarded and critically acclaimed Filipino visual artist known for the stunning craftsmanship and meticulous design of his artworks that meditate on critiques of modernism and contemporary ...
Fernando Amorsolo y Cueto (May 30, 1892 – April 24, 1972) was a portraitist and painter of rural Philippine landscapes. Nicknamed the "Grand Old Man of Philippine Art," [2] he was the first-ever to be recognized as a National Artist of the Philippines. [3]
José Honorato Lozano (1815 or 1821-1885) was a Filipino painter born in Manila.He is best known as the pioneering practitioner of the art form known as Letras y figuras, in which the letters of a patron's name is composed primarily by contoured arrangements of human figures surrounded by vignettes of scenes in Manila - an art form that may have derived loosely from illuminated manuscripts. [4]
By introducing modern ideas into the Philippine art scene, Victorio Edades managed to destroy the conventions of domestic art, and also got rid of the clichéd ideology he believed stunted the development of Philippine art. His defiance to what the Conservatives structured as ‘art’ was a conscious call for real artistic expression.
It is currently displayed in the main gallery at the first floor of the National Museum of Fine Arts in Manila, and is the first work of art that greets visitors upon entry into the museum. The National Museum considers it the largest painting in the Philippines with dimensions of 4.22 meters x 7.675 meters. [3]
Despite frequently travelling, Magsaysay-Ho consistently painted the Philippines based on her memory. Magsaysay-Ho's favorite medium to paint with was egg tempera as used in her earlier work, but the physical demands forced her to utilize other techniques. [7] So, she would paint by means of oils, acrylics, drawings, and lithographs.