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A theme in Inca mythology is the duality of the Cosmos. The realms were separated into the upper and lower realms, the hanan pacha and the ukhu pacha and urin pacha.Hanan pacha, the upper world, consisted of the deities of the sun, moon, stars, rainbow, and lightning while ukhu pacha and urin pacha were the realms of Pachamama, the earth mother, and the ancestors and heroes of the Inca or ...
The Sapa Inca was conceptualized as divine and was effectively head of the state religion. Only the Willaq Umu (or Chief Priest) was second to the emperor. Local religious traditions were allowed to continue, and in some cases such as the Oracle at Pachacamac (Pacha Kamaq, "vivifier of the world") on the Peruvian coast, were officially ...
Inca mythology of the Inca Empire was based on pre-Inca beliefs that can be found in the Huarochirí Manuscript, and in pre-Inca cultures including Chavín, Paracas, Moche, and the Nazca culture. The mythology informed and supported Inca religion. [1] One of the most important figures in pre-Inca Andean beliefs was the creator deity Viracocha.
The replica of the Plomo Mummy on display at the Museo Nacional de Historia Natural in Santiago, Chile. Capacocha or Qhapaq hucha [1] (Quechua: qhapaq noble, solemn, principal, mighty, royal, hucha crime, sin, guilt [2] [3] Hispanicized spellings Capac cocha, Capaccocha, Capacocha, also qhapaq ucha) was an important sacrificial rite among the Inca that typically involved the sacrifice of ...
Ritual ceremonies functioned as mechanisms for cultural continuity and identity formation, binding together diverse communities under a shared religious framework. [26] The belief system of the Incas was polytheistic. Inca perceived the cosmos as a sacred order governed by the harmonious interplay of the sun, moon, and stars. [27]
[28] [29] Hanan pacha would have been inhabited by both Inti, the masculine sun god, and Mama Killa, the feminine moon goddess. [24] In addition to this, Illapa, the god of thunder and lightning, also would have existed in the hanan pacha realm. [24] Attested colonial use of the compound would be a reinterpretarion of a preexisting concept. [30]
Coat of Arms of the Kingdom of the Incas", painted in 1615 by the Inca Guamán Poma. Royal Danish Library. [2] According to the legend collected by the "Inca" Garcilaso de la Vega, Manco Cápac and Mama Ocllo migrated from Lake Titicaca on the advice of their father, the god Sun. They threw a golden javelin; where it was nailed they founded a ...
The former maintained full control of religious and government functions from Manco Capac until Capac Yupanqui, who suffered a coup by Inca Roca with the support of Hanan Cusco members. From then on, the Hurin dynasty was in charge of the priesthood while the Hanan dynasty took control of civil, political, economic, judicial, and martial activity.