Search results
Results From The WOW.Com Content Network
Johann Christoph Denner (13 August 1655 – 26 April 1707) [1] was a German woodwind instrument maker of the Baroque era, to whom the invention of the clarinet is attributed. Denner was born in Leipzig to a family of horn-tuners.
Donald Francis Tovey – Clarinet Sonata in B-flat major, Op. 16 (1906) [7] Charles Villiers Stanford – Clarinet Sonata, Op.129 (1911) [ 8 ] William Henry Bell – Clarinet Sonata in D minor (1926) [ 5 ]
Charles Swinnerton Heap: Clarinet Sonata (1879) [2] Theodore Gouvy: Clarinet Sonata, Op. 76 (1882) Ebenezer Prout: Clarinet Sonata, Op. 26 (1882) [3] Felix Draeseke: Clarinet Sonata (1887), which also can be played by a violin; Samuel Coleridge-Taylor: Clarinet Sonata (c1893) [4] Josef Rheinberger:Clarinet Sonata, Op. 105a (1893) Johannes Brahms:
Denner also reduced the size of the hole and inserted a small tube to facilitate overblowing, greatly increasing the range of the instrument to nearly three octaves. The instrument was also lengthened to increase accuracy of tuning, the recorder -like foot joint of the chalumeau was replaced by a bell similar to the oboe , and a key on the ...
The B ♭ soprano clarinet is the most common type, and is the instrument usually indicated by the word "clarinet". German instrument maker Johann Christoph Denner is generally credited with inventing the clarinet sometime around 1700 by adding a register key to the chalumeau, an earlier single-reed instrument. Over time, additional keywork and ...
Jacob Denner (1681 – 1735) was a woodwind instrument maker of Nuremberg. He was the son of Johann Christoph Denner , improver of the chalumeau and credited with the invention of the clarinet . Jacob is also well known for his recorders [ 1 ] which have become the model for many modern instruments. [ 2 ]
The contra-alto clarinet [2] is largely a development of the 2nd half of the 20th century, although there were some precursors in the 19th century: . In 1829, Johann Heinrich Gottlieb Streitwolf [], an instrument maker in Göttingen, introduced an instrument tuned in F in the shape and fingering of a basset horn, which could be called a contrabasset horn because it played an octave lower than it.
The Clarinet Sonata in E ♭ major, Op. 167, was written by Camille Saint-Saëns in 1921 as one of his last works. This clarinet sonata is the second of the three sonatas that Saint-Saëns composed for wind instruments, the other two being the Oboe Sonata (Op. 166) and the Bassoon Sonata (Op. 168), written the same year.