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Pithecellobium dulce is a tree that reaches a height of about 10 to 15 m (33 to 49 ft). Its trunk is spiny and up to nine meters in girth (9.4 feet thick DBH) and its leaves are bipinnate . Each pinna has a single pair of ovate-oblong leaflets that are about 2 to 4 cm (0.79 to 1.57 in) long.
Tijuca Forest in Rio de Janeiro, Brazil. In many countries there is a growing understanding of the importance of the natural ecology in urban forests. There are numerous projects underway aimed at restoration and preservation of ecosystems, ranging from simple elimination of leaf-raking and elimination of invasive plants to full-blown reintroduction of original species and riparian ecosystems.
The term "decal" refers to the mass-produced art transfer in two different states: 1. As manufactured, which consists of the artwork printed on the upper side of a paper or film label stock, temporarily affixed by a typically water or heat soluble adhesive to the upper side of a silicone- or other release agent-coated paper or film backing stock.
On a global scale, long-term fluxes are approximately in balance, so that an undisturbed rainforest would have a small net impact on atmospheric carbon dioxide levels, [32] though they may have other climatic effects (on cloud formation, for example, by recycling water vapour). No rainforest today can be considered to be undisturbed. [33]
Aokigahara (青木ヶ原, 'Blue Tree Meadow'), also known as the Sea of Trees (樹海, Jukai), is a forest on the northwestern flank of Mount Fuji on the island of Honshu in Japan, thriving on 30 square kilometres (12 sq mi) of hardened lava laid down by the last major eruption of Mount Fuji in 864 CE. [1]
These wall paintings, an arabesque form of mural or fresco, show various geometric designs in bright colors: "Called 'nagash' in Arabic, the wall paintings were a mark of pride for a woman in her house." [45] The geometric designs and heavy lines seem to be adapted from the area's textile and weaving patterns.