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An epilogue or epilog (from Greek ἐπίλογος epílogos, "conclusion" from ἐπί epi, "in addition" and λόγος logos, "word") is a piece of writing at the end of a work of literature, usually used to bring closure to the work. [1] It is presented from the perspective of within the story.
This aids in the suspension of disbelief and engages the reader into the story as it develops. [1] A classic structure of narrative thread often used in both fiction and non-fiction writing is the monomyth, or hero's journey, with a beginning, a middle, and an end. First, typically the harmony of daily life is broken by a particularly dramatic ...
"And let my word be kept secret by you, so that no one knows the place but you alone. For in the resurrection of the dead I shall receive my body incorruptible once again from the Savior. Distribute my clothing. To Bishop Athanasius give the one sheepskin and the cloak on which I lie, which he gave to me new, but I have by now worn out.
A tragedy is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character or cast of characters. [1] Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain [that] awakens pleasure,” for the audience.
If you live in L.A., you spend so much time in your car that it becomes somewhere significant memories are made. It becomes a supporting character in your story.
Come to a sticky end [1] To die in a way that is considered unpleasant Humorous: British. Also 'to meet a sticky end'. Counting worms [5] Dead Euphemistic: Croak [7] To die Slang: Crossed the Jordan Died Biblical/Revivalist The deceased has entered the Promised Land (i.e. Heaven) Curtains Death Theatrical The final curtain at a dramatic performance
The eucatastrophe is a classical catastrophe with an unexpected positive outcome for the protagonist. This term was coined to distance itself from the vernacular use of the word 'catastrophe' to signify disaster (which gave the term negative connotations in everyday usage).
Poetic justice describes an obligation of the dramatic poet, along with philosophers and priests, to see that their work promotes moral behavior. [10] 18th-century French dramatic style honored that obligation with the use of hamartia as a vice to be punished [10] [11] Phèdre, Racine's adaptation of Euripides' Hippolytus, is an example of French Neoclassical use of hamartia as a means of ...