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Plato's allegory of the cave by Jan Saenredam, according to Cornelis van Haarlem, 1604, Albertina, Vienna. Plato's allegory of the cave is an allegory presented by the Greek philosopher Plato in his work Republic (514a–520a, Book VII) to compare "the effect of education (παιδεία) and the lack of it on our nature".
Plato refers to these debates and made allegories and the nature of allegory a prominent theme in his dialogues. [9] He uses many allegorical devices and explicitly calls attention to them. In the Parable of the Cave, for example, Plato tells a symbolic tale and interprets its elements one by one (Rep., 514a1 ff.).
The centerpiece of the Republic, Part II, nos. 2–3, discusses the rule of the philosopher, and the vision of the Agathon with the Allegory of the Cave, which is clarified in the theory of forms. The centerpiece is preceded and followed by the discussion of the means that will secure a well-ordered polis (city). Part II, no. 1, concerns ...
Porphyry leaves open whether the cave actually existed or was an invention by Homer, but in either case stresses its significance as an allegory. He associates the cave motif with Plato's allegory of the cave and the Mithraeum (the cave sacred to adherents of the Roman mystery religion centered on the god Mithras) and regards it as a symbol for ...
The Ring of Gyges / ˈ dʒ aɪ ˌ dʒ iː z / (Ancient Greek: Γύγου Δακτύλιος, Gúgou Daktúlios, Attic Greek pronunciation: [ˈɡyːˌɡoː dakˈtylios]) is a hypothetical magic ring mentioned by the philosopher Plato in Book 2 of his Republic (2:359a–2:360d). [1] It grants its owner the power to become invisible at will.
Rush's album "2112" (1976) was inspired by the novel Anthem by Ayn Rand which in turn can be seen as a science fiction version of Plato's allegory of the cave. The allegory of the cave is mentioned in the They Might Be Giants song, "No One Knows My Plan". Plato's allegory of the cave is referenced in the Jack Johnson song, "Inaudible Melodies".
Benjamin Jowett (/ ˈ dʒ oʊ ɪ t /, [2] modern variant / ˈ dʒ aʊ ɪ t /; [3] 15 April 1817 – 1 October 1893) was an English writer and classical scholar. Additionally, he was an administrative reformer in the University of Oxford, theologian, Anglican cleric, and translator of Plato and Thucydides. [4]
Allegory is used extensively in Renaissance literature. Developing from the use of allegory in the Middle Ages, Renaissance literature exhibits an increased emphasis on courtly love, [1] sometimes abandoning intelligibility for deliberately unintelligible allegories. [2]