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Seven Against Thebes (Ancient Greek: Ἑπτὰ ἐπὶ Θήβας, Hepta epi Thēbas; Latin: Septem contra Thebas) is the third play in an Oedipus-themed trilogy produced by Aeschylus in 467 BC. The trilogy is sometimes referred to as the Oedipodea. [2]
Oedipus rex is an opera-oratorio by Igor Stravinsky, scored for orchestra, speaker, soloists, and male chorus.The libretto, based on Sophocles's tragedy, was written by Jean Cocteau in French and then translated by Abbé Jean Daniélou into Latin; the narration, however, is performed in the language of the audience.
Oedipus Rex is widely regarded as one of the greatest plays, stories, and tragedies ever written. [21] [22] In 2015, when The Guardian ' s theatre critic Michael Billington, selected what he thinks are the 101 greatest plays ever written, Oedipus Rex was placed second, just after The Persians. [23]
Oedipus the King, the most famous of the three, was written around 429 BC at the midpoint of Sophocles's career. [Notes 1] Oedipus at Colonus, the second of the three plays chronologically, was actually Sophocles's last play and was performed in 401 BC, after Sophocles's death. [36] There are nineteen surviving plays attributed to Euripides.
Oedipus is an opera in two parts composed by Wolfgang Rihm to a German-language libretto that he based on the Greek tragedy Oedipus Rex by Sophocles and related texts by Friedrich Nietzsche and Heiner Müller. The work is characterised as Musiktheater (Music drama).
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The heroic drama Oedipus: A Tragedy, is an adaption of Sophocles' Oedipus Rex, written by John Dryden and Nathaniel Lee. After being licensed in 1678 and published in 1679, it became a huge success on stage during the Restoration period.
The Gods Are Not To Blame is a 1968 play and a 1971 novel by Ola Rotimi. [1] An adaptation of the Greek classical play Oedipus Rex, the story centres on Odewale, who is lured into a false sense of security, only to somehow get caught up in a somewhat consanguineous trail of events by the gods of the land.