Ad
related to: cuban santeria music for piano
Search results
Results From The WOW.Com Content Network
The music of Cuba, including its instruments, performance, and dance, comprises a large set of unique traditions influenced mostly by west African and European (especially Spanish) music. [1] Due to the syncretic nature of most of its genres, Cuban music is often considered one of the richest and most influential regional music in the world.
He received several piano awards, was a candidate to the Rome Award and received compliments from Rossini, Liszt and Paderewski. During the Ten Years' War, Cervantes lived and gave concerts in the United States and Mexico. After the Cuban independence he worked as orchestra director at the Tacón Theatre. Ignacio Cervantes is considered one of ...
A guajeo (Anglicized pronunciation: wa-hey-yo) is a typical Cuban ostinato melody, most often consisting of arpeggiated chords in syncopated patterns. Some musicians only use the term guajeo for ostinato patterns played specifically by a tres, piano, an instrument of the violin family, or saxophones.
Pilón is a Cuban musical form and a popular dance created in the 1950s. named for the town of Pilón, on the southern coast of Cuba. The rhythms of Pilón are based on the motions of pounding sugarcane. One unique aspect of the pilón is the use of simultaneous piano and electric guitar guajeos. Rhythmically, the guitar plays a much simpler ...
In 1946, the famous Cuban writer, art critic and musicologist Alejo Carpentier (b. 104) established a benchmark with his work “La música en Cuba” (1946), an attempt to put together a comprehensive history of Cuban music from the 16th century until his time. Although the work presented as facts some controversial historical issues, such as ...
Here it is usually a faster, brasher, semi-improvised instrumental section, sometimes with a repetitive vocal refrain. Finally, the term montuno is also used for a piano guajeo, [1] the ostinato figure accompanying the montuno section, when it describes a repeated syncopated piano vamp, often with chromatic root movement. [2]
Son montuno is a subgenre of son cubano developed by Arsenio Rodríguez in the 1940s. Although son montuno ("mountain sound") had previously referred to the sones played in the mountains of eastern Cuba, Arsenio repurposed the term to denote a highly sophisticated approach to the genre in which the montuno section contained complex horn arrangements. [1]
O'Farrill's recordings were released by Gema as a single and later included in the multi-artist LP Los mejores músicos de Cuba (1959). [10] Cachao continued to record descarga sessions as a leader between 1958 and 1960: Jam Session with Feeling (Maype), Descarga (Maype), Cuban Music in Jam Session (Bonita) and Descargas con el ritmo de Cachao ...