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The skank beat originated in the early punk and thrash metal scene as a drum beat for extreme music. The skank beat is similar to the blast beat as it alternates between the kick and the snare, with the difference that the ride hand plays notes in unison with both kick and snare. A skank beat is in other words a sped up 2/4 rock or polka beat.
The method involves not crossing the hands when playing the hi-hat (or ride-cymbal) and snare drum simultaneously as opposed to the more traditional way of playing drums which features crossed hands as the basic playing position. [1] Absolute beginners often choose this open-handed way of playing as their first and natural attempt at drumming.
These patterns form the basic building blocks or "vocabulary" of drumming, and can be combined in a great variety of ways to create drumming music. Pages in category "Drum rudiments" The following 4 pages are in this category, out of 4 total.
In rudimental drumming, a form of percussion music, a drum rudiment is one of a number of relatively small patterns which form the foundation for more extended and complex drumming patterns. The term "drum rudiment" is most closely associated with various forms of field drumming , where the snare drum plays a prominent role.
Heavy metal drumming is a style of rock music [1] drum kit playing that developed in the late 1960s and early 1970s, largely in the United States and the United Kingdom. [2] With roots in blues rock and psychedelic / acid rock drum playing, [ 3 ] heavy metal drummers play with emphatic beats, and overall loudness using an aggressive performing ...
Tommy Aldridge (born August 15, 1950) [1] is an American heavy metal and hard rock drummer. He is noted for his work with numerous bands and artists since the 1970s, such as Black Oak Arkansas, Pat Travers Band, Ozzy Osbourne, Gary Moore, Whitesnake, Ted Nugent, Thin Lizzy, Vinnie Moore and Yngwie Malmsteen.