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Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture, fittings, and interior decoration .
The Decoration of Houses, a manual of interior design written by Edith Wharton with architect Ogden Codman, was first published in 1897. In the book, the authors denounce Victorian-style interior decoration and interior design, especially rooms decorated with heavy window curtains, Victorian bric-a-brac and overstuffed furniture. They argue ...
John Gregory Crace, Edward Crace's great-grandson, was the elder of two surviving sons of Frederick Crace (1779–1859), interior decorator to the then Prince Regent and a collector of maps and prints. [2] [3] His mother, Augusta Harrop Gregory, was the daughter of John Gregory, a London magistrate and treasurer of the Whig Club. [2]
Grand Neoclassical interior by Robert Adam, Syon House, London Details for Derby House in Grosvenor Square, an example of the Adam brothers' decorative designs. The Adam style (also called Adamesque or the Style of the Brothers Adam) is an 18th-century neoclassical style of interior design and architecture, as practised by Scottish architect William Adam and his sons, of whom Robert (1728 ...
An example of the Eastlake Style in Glendale, California. The Eastlake movement was a nineteenth-century architectural and household design reform movement started by British architect and writer Charles Eastlake (1836–1906). The movement is generally considered part of the late Victorian period in terms of broad antique furniture designations.
These design propositions also formed the basis for his seminal publication, The Grammar of Ornament, the global and historical design sourcebook for which Jones is perhaps best known today. [ 3 ] Jones believed in the search for a modern style unique to the nineteenth century, radically different from the prevailing aesthetics of Neo ...
His partners in the company were members of the Pre-Raphaelite Brotherhood, a group of painters who rejected the art and design of the Victorian era, and sought to revive earlier themes and techniques of art and craftsmanship. [2] The first wallpaper pattern he designed for his company was the Trellis wallpaper in 1864.
Modest exterior, interior features much woodwork. Folk Victorian is an architectural style employed for some homes in the United States and Europe between 1870 and 1910, though isolated examples continued to be built well into the 1930s. [1] Folk Victorian homes are relatively plain in their construction but embellished with decorative trim. [2]