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Bill Farmer (born November 14, 1952) [1] [3] is an American voice actor and comedian. He has performed the voice of the Disney character Goofy since 1987, and has also been the voice of Pluto and Horace Horsecollar since 1990.
Farmer made his debut as Goofy in the TV special, Doggone Valentine, but the show that truly shaped his tenure was Goof Troop.That 1992 syndicated series re-introduced the character as the well ...
Babbitt's Goofy was the first Disney character after [Norm] Ferguson's Pluto to have a visible inner life and Goofy, stupid though he was, was clearly more complex than Pluto. For the most part, Pluto simply reacted; Goofy schemed and planned, however dimly." [23] Ben Sharpsteen directed the majority of the Mickey, Donald and Goofy trio ...
Pope was known for providing the voice of Furby in English and five other languages. [5] He was also the voice of Goofy for 11 years, garnering 17 Gold and Platinum records. [2] [5] His voice is prominent at Disneyland on several rides, as well as in the JumpStart products by Knowledge Adventure. [2] [5]
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The following is a list of Goofy short films.. The list doesn't include shorts from other series where Goofy appears, such as the Mickey Mouse series, the Donald & Goofy series, or other Disney short films from that aren't part of the Goofy series, segments from feature films (such as El Gaucho Goofy), nor shorts of Goofy made as part of the episodes of the television series Mickey Mouse Works.
Aquamania is an American animated Goofy cartoon produced by Walt Disney Productions and released by Buena Vista Distribution on December 20, 1961. [1]This cartoon was the last from Disney's "Golden Era" which featured Goofy as a solo star, and the first time the xerography animation-technique was used in a Goofy cartoon.
The narrator shows the audience, with Goofy as the model, learn about proper breathing exercises, skipping rope for conditioning, as well as punching the bag to measure coordination, agility, and developing the skill of "covering up", and shadow boxing literally against his shadow, normally used for perfecting form and timing.