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The Neo-Concrete Movement (1959–1961) was a Brazilian art movement, a group that splintered off from the larger Concrete Art movement prevalent in Latin America and in other parts of the world. The Neo-Concretes emerged from Rio de Janeiro’s Grupo Frente. They rejected the pure rationalist approach of concrete art and embraced more ...
The movement of Concrete art pushed them towards Neo- Concrete art. Each member brought a different aspect to the group as a whole. They got together in museums as the MAM Museu de Arte Moderna. They were under the leadership of Ivan Serpa. Ivan started the group in 1952. The group pushed for Neo Concrete art, which was described in the overview.
José Ribamar Ferreira (September 10, 1930 – December 4, 2016), known by his pen name Ferreira Gullar, was a Brazilian poet, playwright, essayist, art critic, and television writer. In 1959, he was instrumental in the formation of the Neo-Concrete Movement .
What Brazilian art then became was a mix of some important achievements of the Moderns, meaning freedom from the strict academic agenda, with more conventional traits, giving birth in the following generation to a moderate Modernism, best exemplified by painter Cândido Portinari, who was something like the official painter of the Brazilian ...
Lygia Pape (7 April 1927 – 3 May 2004) was a Brazilian visual artist, sculptor, engraver, and filmmaker, who was a key figure in the Concrete movement and a later co-founder of the Neo-Concrete Movement in Brazil during the 1950s and 1960s. [1]
Hélio Oiticica (Portuguese: [ˈεlju ɔjtʃiˈsikɐ]; July 26, 1937 – March 22, 1980) was a Brazilian visual artist, sculptor, painter, performance artist, and theorist best known for his participation in the Neo-Concrete Movement, for his innovative use of color, and for what he later termed "environmental art," which included Parangolés ...
The Brazilian Neo-Concrete movement borrowed their artistic ideas from Max Bill who was the director of the Ulm School of Design in Germany during the early 1950s. [14] Grega no. 4 (1955) at Glenstone in 2023. The Neo-Concretists were interested in how art could be used to "express complex human realities". [18]
Brazilian modernist art, abstract art, concrete art Judith Lauand (26 May 1922 – 9 December 2022) was a Brazilian painter and printmaker. [ 1 ] [ 2 ] She is considered a pioneer of the Brazilian modernist movement that started in the 1950s, and was the only female member of the concrete art movement based in São Paulo , the Grupo Ruptura.