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The album was BTS's fifth to debut at number one on the Billboard 200, making BTS the fastest group to earn five chart-topping albums in the United States since the Beatles. Elsewhere, the album topped charts in Canada, Denmark, Japan, Lithuania, New Zealand, Norway, Poland, the Republic of Ireland, South Korea, and Wallonia; and peaked within ...
BTS's third Korean studio album, Love Yourself: Tear, was released on May 18, 2018, and debuted at number one on the Billboard 200, becoming the group's highest-charting album in a Western market, as well as the first K-pop album to top the US albums chart and the highest-charting album by an Asian act. [13] BTS had the second-best total album ...
Pages in category "Bebop albums" The following 18 pages are in this category, out of 18 total. This list may not reflect recent changes. B.
It should only contain pages that are Be-Bop Deluxe albums or lists of Be-Bop Deluxe albums, as well as subcategories containing those things (themselves set categories). Topics about Be-Bop Deluxe albums in general should be placed in relevant topic categories .
Be-Bop Deluxe were founded in Wakefield, West Yorkshire, England, by singer, guitarist and principal songwriter Bill Nelson in 1972. [1] The founding line-up consisted of Nelson, guitarist Ian Parkin, bassist and vocalist Robert Bryan, drummer Nicholas Chatterton-Dew, and keyboardist Richard Brown (who left in December of that year). [2]
Love Yourself: Tear debuted at number one its first week on the Billboard 200, becoming BTS's first number-one album in the US and the first K-pop album to top the US albums chart. [125] It also became BTS's first top-10 release in Britain, reaching number eight on the UK Albums Chart. [126] "Fake Love" became BTS's top-10 single on the Hot 100 ...
All seven members of BTS are currently serving South Korea’s compulsory enlistment for men of a certain age — and in what should feel like an absence, the K-pop boy band is keeping their fans ...
Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States. The style features compositions characterized by a fast tempo (usually exceeding 200 bpm), complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales, and occasional references ...