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At the sale of his work in 1864, 9140 works were attributed to Delacroix, including 853 paintings, 1525 pastels and water colours, 6629 drawings, 109 lithographs, and over 60 sketch books. [40] The number and quality of the drawings, whether done for constructive purposes or to capture a spontaneous movement, underscored his explanation ...
Delacroix's work was an example of another tendency of romanticism, the use of exotic settings; in French romanticism, these were usually in Egypt or the Middle East. He is best known for Liberty leading the People (1830), shown in the Salon of 1831 , inspired by the combat outside the Hotel de Ville in Paris during the July Revolution of 1830.
Eugène Delacroix (painter) Théophile Gautier (poet) Théodore Géricault (painter) Victor Hugo (poet, novelist, dramatist) Alphonse de Lamartine (poet) Alfred de Musset (poet) Charles Nodier, (writer), leader of the Romanticist movement; Hubert Robert, (painter) Jean-Jacques Rousseau (philosophic grounds) George Sand (novelist) Stendhal ...
The Barque of Dante (French: La Barque de Dante), also Dante and Virgil in Hell (Dante et Virgile aux enfers), is the first major painting by the French artist Eugène Delacroix, and is a work signalling the shift in the character of narrative painting, from Neo-Classicism towards Romanticism. [1]
Liberty Leading the People by Eugène Delacroix. The Salon of 1831 was an art exhibition held at the Louvre in Paris between June and August 1831. [1] It was the first Salon during the July Monarchy and the first to be held since the Salon of 1827, as a planned exhibition of 1830 was cancelled due to the French Revolution of 1830.
By the time Delacroix painted Liberty Leading the People, he was already the acknowledged leader of the Romantic school in French painting. [4] Delacroix, who was born as the Age of Enlightenment was giving way to the ideas and style of romanticism, rejected the emphasis on precise drawing that characterised the academic art of his time, and instead gave a new prominence to freely brushed colour.
The second was a scene from the Greek War of Independence, completed the year Byron died there, and the last was a scene from one of Byron's plays. With Shakespeare, Byron was to provide the subject matter for many other works of Delacroix, who also spent long periods in North Africa, painting colourful scenes of mounted Arab warriors.
It is a work of Romanticism based on the tale of Sardanapalus, a king of Assyria, from Greek historian Diodorus Siculus's library. It uses rich, vivid and warm colours and broad brushstrokes, was inspired by Lord Byron 's play Sardanapalus (1821) and inspired a Hector Berlioz cantata , Sardanapale (1830), and an unfinished Franz Liszt opera ...