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Post-credits scenes may have their origins in encores, an additional performance added to the end of staged shows in response to audience applause. [1] Opera encores were common practice in the 19th century, when the story was often interrupted so a singer could repeat an aria, but fell out of favor in the 1920s due to rising emphasis on dramatic storytelling rather than vocal performance.
Stinger (comics), any of several comic book characters named Stinger; Stinger, a 1988 science fiction horror novel by Robert R. McCammon; Stingers (TV series) (1998–2004) Australian police drama television series; Stinger (radio), a short sound clip used to divide sections of a radio program or podcast, also known as a sounder
It can also be worked into other forms with unusual properties such as reflecting only the light of the Moon. The fictional metal has appeared in other fantasy universes, games, and books. "Mythril" appears in the video game series Final Fantasy and Kingdom Hearts. "Mithral" is used in D&D books; "Milrith" in Simon the Sorcerer.
The book uses the dualities personified by the benevolent Dr. Jekyll on one hand and the evil Mr. Hyde on the other to describe how chemists and chemistry are portrayed in the movies. There are 10 chapters, the first five of which have dark chemical themes and the second five of which have bright chemical themes. The chapter titles are: 1. Dr.
In the book, Cal and Six-Thirty were already running buddies, and a leash comes into play when Elizabeth insists Cal start using one in case Six-Thirty gets spooked by fireworks and runs off. Cal ...
Damien Broderick wrote in The Australian, "Stenger offers an answer to that deep question in his two new books, arguing a materialist, God-free account of the cosmos, equally antagonistic to superstition, to the paranormal and to religions archetypal and newfangled alike.
8½ (1963) is based on Federico Fellini's experience suffering from "director's block." [3]8 Mile (2002) is inspired by the life of Eminem.; 21 (2008); Adaptation (2002); while parts of the film are adapted from Susan Orlean's non-fiction book The Orchid Thief, most of the film is a heavily fictionalized account of Charlie Kaufman's difficulty in adapting the book into a screenplay.
'Lessons in Chemistry' features 1950s-inspired kitchens. Production designer Cat Smith details how the sets were brought to life, including an all-pink kitchen.