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Grotesque No. 8 on a metal type specimen sheet Grotesque No. 9 on a metal type specimen sheet. The family of typefaces was sold by number rather than using weight names. Commonly used numbers included: Grotesque No. 5 – condensed; Grotesque No. 6 – wide [12] Grotesque No. 7 – (shown on specimen, above) light condensed; Grotesque No. 8 ...
Atkinson Hyperlegible contains four styles, each of 335 glyphs: regular, bold, italics, and italics bold.It supports diacritics in 27 languages. [4]Elliott Scott of Applied Design Works and studio creative director Craig Dobie made the decision "to break a lot of rules that a lot of designers will care about", [1] for instance adding serifs to the uppercase i but not the uppercase tee [2] and ...
Download QR code; Print/export Download as PDF; Printable version; ... This category contains typefaces in the Neo-grotesque sans-serif classifications.
Class: Grotesque : Century Gothic Class: Geometric : Charcoal (Mac OS 9 system font) Designer: David Berlow: Chicago (pre-Mac OS 9 system font, still included with Mac OS X) Designer: Susan Kare: Adobe Clean - Adobe's now standard GUI and icon font Class: Humanist, Spurless : Clear Sans (Intel) Designer: Dan Rhatigan, George Ryan, Robin ...
Download QR code; Print/export Download as PDF; Printable version; ... This category contains typefaces in the Grotesque, realist sans-serif classifications ...
Version 1.0 of the font family had four typefaces, each with eight weights (Thin, Extra Light, Light, Regular, Text, Medium, Semi-bold, Bold) and true italics to complement them. [ 2 ] IBM Plex Sans – A grotesque sans-serif typeface with a design that was inspired by Franklin Gothic .
Akzidenz-Grotesk is a sans-serif typeface family originally released by the Berthold Type Foundry of Berlin. "Akzidenz" indicates its intended use as a typeface for commercial print runs such as publicity, tickets and forms, as opposed to fine printing, and "grotesque" was a standard name for sans-serif typefaces at the time.
Monotype Grotesque is a large family of fonts, including very bold, condensed and extended designs, created at different times. Monotype offered a sans-serif capital alphabet as its fourth typeface cut; others were developed later.