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Marxist literary criticism is a theory of literary criticism based on the historical materialism developed by philosopher and economist Karl Marx.Marxist critics argue that even art and literature themselves form social institutions and have specific ideological functions, based on the background and ideology of their authors.
Marxist cultural analysis is a form of cultural analysis and anti-capitalist cultural critique, which assumes the theory of cultural hegemony and from this specifically targets those aspects of culture that are profit driven and mass-produced under capitalism.
Cornforth argued that Caudwell's theory of poetry was idealized, dependent on a Freudian concept of pre-social 'instincts' that was incompatible with Marxism. George Thomson answered Cornforth in the next issue (Spring 1951) by reaffirming Illusion and Reality's contribution to literary criticism. The next two issues (Summer and Autumn) saw the ...
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The gender/queer lens, while influenced by the feminist lens, treats gender as more of a spectrum, and also considers human sexuality. [5] David Richter notes in The Critical Tradition: Classic Texts and Contemporary Trends that "XXY syndromes, natural sexual bimorphisms, as well as surgical transsexuals [...] defy attempts at binary classification".
Myths of Power: A Marxist Study of the Brontës (1975) Criticism & Ideology (1976) Marxism and Literary Criticism (1976) Walter Benjamin, or Towards a Revolutionary Criticism (1981) The Rape of Clarissa: Writing, Sexuality, and Class Struggle in Samuel Richardson (1982) Literary Theory: An Introduction (1983) The Function of Criticism (1984)
Barbara Clare Foley (born March 29, 1948) [1] is an American writer and the Distinguished Professor of English at Rutgers University-Newark.She focuses her research and teaching on U.S. literary radicalism, African American literature, and Marxist criticism.
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