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The Holy Book of Hip-Hop was a catalogue of musical samples used in hip-hop music, published in 2001 by Black Glove Publishing. The Los Angeles Times has identified its origins as an illicit print version of Blaine Armsterd's "Sampling FAQ", which was itself compiled from Armsterd's own record collection, from liner notes, and from posts to Usenet. [1]
Sampling is one of the foundations of hip hop, which emerged in the 1980s. [34] Hip hop sampling has been likened to the origins of blues and rock, which were created by repurposing existing music. [24] The Guardian journalist David McNamee wrote that "two record decks and your dad's old funk collection was once the working-class black answer ...
As hip-hop celebrates its 50th anniversary on Aug. 11, The Times looks back at the artists, songs and innovations that changed the course of popular culture. The 50 greatest moments in hip-hop history
Hip hop does not simply draw inspiration from a range of samples, but it layers these fragments into an artistic object. If sampling is the first level of hip hop aesthetics, how the pieces or elements fit together constitute the second level. Hip hop emphasizes and calls attention to its layered nature.
The 1980s were hip-hop’s first full decade as a documented musical genre on record, and from ’80 to ’89, rap grew from single to albums, from party songs to social commentary, from simple ...
Sampledelia features "disorienting, perception-warping" manipulations of audio samples or found sounds via techniques such as chopping, looping or stretching. [2] [3] Sampladelic techniques have been applied prominently in styles of electronic music and hip hop, [4] such as trip hop, jungle, post-rock, and plunderphonics. [5]
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When asked about the role that mixtapes played in the development of hip-hop in Los Angeles, he points to the Roadium Swap Meet, a key distribution site for some seminal tapes in L.A.’s early scene.