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The Flower Girl (c. 1665-1670) by Bartolomé Esteban Murillo The Immaculate Conception of El Escorial, a section of which can be seen under the top layer of The Flower Girl. The Flower Girl (Italian - Fanciulla con fiori, Ragazza con fiori or La Fioraia'; Spanish - Muchacha con flores) is a c. 1665-1670 oil on canvas painting by the Spanish ...
Bartolomé Esteban Murillo: The Flower Girl ; Artist: Murillo, Bartolomé Estéban (1617 - 1682) – Artist Details on Google Art Project. Title: The Flower Girl
Murillo seemed to have remained close to the couple considering he did not leave their house until his marriage in 1645. Eleven years later, he was named the executor of Lagares' will despite his sister having already died. [5] Murillo seldom used his father's surname, and instead took his surname from his maternal grandmother, Elvira Murillo. [3]
A desk with an open book, bookshelves and an inkpot can be seen in the background. There is a vase of lilies close to the book, a flower that symbolizes the Immaculate Conception. In the floor, a crosier and a pile of books are depicted. [2] The Virgin is painted in a baroque style. Her figure is surrounded by angels, as in most of Murillo's ...
Murillo painted around two dozen versions of the Immaculate Conception, possibly the most of any Spanish painter at that time. [2] [5] In the majority, the Virgin Mary appears dressed in a white robe with a blue mantle, her hands crossed over her chest, with a crescent moon at her feet, and eyes upraised towards Heaven.
Our Lady of the Rosary (c. 1650-1655) by Bartolomé Esteban Murillo. Our Lady of the Rosary is an oil on canvas painting of Our Lady of the Rosary by Bartolomé Esteban Murillo, created c. 1650-1655. It was previously in the El Escorial Monastery and Palacio Real de Madrid and now is held in the Museo del Prado, in Madrid.
That convent contributed to the foundation of the convent in Seville and so may have suggested the subject to Murillo. The composition symbolises the crucial moment in Francis of Assisi 's life when he renounced all worldly goods to embrace the religious life, pushing away a globe (symbolising the world) with his right foot.
Two Women at a Window is an oil on canvas painting by Bartolomé Esteban Murillo, created in 1665–1675, now held in the National Gallery of Art in Washington, D.C., measuring 125 by 104 cm. [1] Its first recorded owner was Pedro Francisco Luján y Góngora, Duque de Almodóvar del Rio, whose heirs sold it to William A'Court in 1823.