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A sound hole is an opening in the body of a stringed musical instrument, usually the upper sound board. Sound holes have different shapes: Round in flat-top guitars and traditional bowl-back mandolins; F-holes in instruments from the violin family, archtop mandolins and in archtop guitars; C-holes in viola da gambas and occasionally double ...
The L-4 was first introduced in 1911 as an acoustic rhythm guitar with an oval sound hole and 12 frets to the neck; [1] it was used by Eddie Lang, who also played an L-5. In 1928, Gibson redesigned the guitar, swapping out the oval soundhole for a round one, extending the neck to 14 frets and cantilevering the end of the fretboard over the top ...
The sound hole designs found on acoustic guitars vary from simple concentric circles to delicate fretwork. Many high-end guitars have more elaborate decorative inlay schemes. Often the edges of the guitar around the neck and body and down the middle of the back are inlaid. Skunk stripe inlay
An acoustic guitar is a musical instrument in the string family. When a string is plucked, its vibration is transmitted from the bridge, resonating throughout the top of the guitar. It is also transmitted to the side and back of the instrument, resonating through the air in the body, and producing sound from the sound hole. [1]
The tops of most steel string acoustic guitars are braced using the X-brace [6] system, or a variation of the X-brace system, generally attributed to Christian Frederick Martin between 1840 and 1845 for use in gut string guitars. [7] [8] The system consists of two braces forming an "X" shape across the soundboard below the top of the sound hole ...
Although a few triple-bound top types were initially produced, the standard single binding was simple, soundhole ring austere, and neck only sported modest dot-shaped mother of pearl fretboard position markers. Gibson used a sunburst finish to cover up imperfections in the wood joins. [1] The top was solid spruce, the back and sides solid ...