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Move Ya Body: The Birth of House is a 2025 American documentary film directed by Elegance Bratton. It follows Disco Demolition Night and the beginning of House music . It had its world premiere at the Sundance Film Festival on January 26, 2025.
"Move Your Body" is a 1986 house music song by American musician Marshall Jefferson. The track was released by Trax Records label, following several earlier tracks under aliases such as Virgo. After several popular tunes given to Chicago-based DJ Ron Trent , Jefferson released his first track "Go Wild Rhythm Tracks" on Trax Records and later ...
Sometimes known as the father of house music, Jefferson was originally a record producer in the Universal Recording Studios in Chicago, where he met the owner of Trax Records, Larry Sherman. Jefferson's 1986 single for Trax, "Move Your Body", the first house song to use piano, [3] was a popular and influential song in the genre. During the late ...
"Move Ya Body" is a song by American musical duo Nina Sky. It was released on April 12, 2004, as the lead single from its self-titled debut album (2004).
Move Your Body may refer to: "Move Your Body" (Marshall Jefferson song), 1986 "Move Your Body", by Phil Drummond, 1991 "Move Your Body" (Anticappella song), 1994
"After Hours" contains a sample of Cordell "Skatta" Burrell's dancehall riddim "Coolie Dance Riddim", which was popularised in Nina Sky's April 2004 top-ten single, "Move Ya Body" featuring Jabba, and has been crowned a "summer anthem" by music critics.
Jazz chords are chords, chord voicings and chord symbols that jazz musicians commonly use in composition, improvisation, and harmony. In jazz chords and theory, most triads that appear in lead sheets or fake books can have sevenths added to them, using the performer's discretion and ear. [ 1 ]
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...