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In 1971, Angela Davis commented on a version similar to the Lomaxes': ' "All the Pretty Little Horses" is an authentic slave lullaby; it reveals the bitter feelings of Negro mothers who had to watch over their white charges while neglecting their own children.' [6]
Lullaby by François Nicholas Riss A lullaby (/ ˈ l ʌ l ə b aɪ /), or a cradle song, is a soothing song or piece of music that is usually played for (or sung to) children (for adults see music and sleep). The purposes of lullabies vary. In some societies, they are used to pass down cultural knowledge or tradition.
Suo Gân" (Welsh pronunciation: [sɨɔ ɡɑːn]) is a traditional Welsh lullaby written by Morfydd Llwyn Owen. It was first recorded in print around 1800 [1] and the lyrics were notably captured by the Welsh folklorist Robert Bryan (1858–1920). [2] The song's title simply means lullaby (suo = lull; cân = song).
With lyrics like “Oh, my mama loves me, she loves me/She get down on her knees and hug me," this gospel-infused song will have you both feeling the love. Shop Now "Loves Me Like A Rock" - Paul Simon
In 1976, Richard Manuel and Van Morrison sang the song, as "Tura Lura Lural (That's an Irish Lullaby)", during The Band's farewell concert The Last Waltz."Come On, Eileen", a #1 U.K. chart single from the English band Dexys Midnight Runners, includes a chorus with the lines "Too-Ra-Loo-Ra Too-Ra-Loo-Rye, Ay / And you'll hum this tune forever."
"Ballerina" is a popular song, sometimes known as "Dance, Ballerina, Dance". [1] The song was written by Carl Sigman with lyrics by Sidney Keith 'Bob' Russell. [2] Published in 1947, the tune is listed as ASCAP Title Code 320012517.
The rhyme is followed by a note: "This may serve as a warning to the proud and ambitious, who climb so high that they generally fall at last." [4]James Orchard Halliwell, in his The Nursery Rhymes of England (1842), notes that the third line read "When the wind ceases the cradle will fall" in the earlier Gammer Gurton's Garland (1784) and himself records "When the bough bends" in the second ...
The lyrics salute the nightlife of Broadway and its denizens, who "don't sleep tight until the dawn." The song was introduced by Wini Shaw in the musical film Gold Diggers of 1935 , [ 1 ] and, in an unusual move, it was used as background music in a sequence in the Bette Davis film Special Agent that same year.