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There are two areas of focus in the IB Visual Arts subject. The first is studio (practical work) and the second is the research workbook (known as the Investigation Workbook). The Visual Art program aims to teach the student about design, structure and the aesthetic development of work.
According to the 2022 IB Guide, [11] the TOK exhibition explores how TOK manifests in the world around us by creating an exhibition of three objects (or images of objects) that connect to only one of the themes (either core or optional) and on only one of the 35 prompts provided within the new Guide. Each object must be accompanied by a written ...
Pages in category "Visual arts exhibitions" The following 57 pages are in this category, out of 57 total. This list may not reflect recent changes. ...
Types of visual art – Architecture • Art intervention • Ceramic art • Computer art • Drawing • Fashion • Film • Installation art • Land art • ...
The first exhibition of artists' statements, The Art of the Artist's Statement, was curated by Georgia Kotretsos and Maria Pashalidou at the Hellenic Museum, Chicago, in the spring of 2005. It featured the work of 14 artists invited to create artwork offering a visual commentary on the subject of artist statements.
Heavenly Bodies: Fashion and the Catholic Imagination at The Metropolitan Museum of Art. Andrew Bolton, the Curator in Charge of The Costume Institute since 2015, spoke of the intention behind the exhibition: "Throughout the history of the Catholic Church, dress has affirmed religious allegiances, asserted religious differences, and functioned to distinguish hierarchies as well as gender.
Exhibit design (or exhibition design [1]) is the process of developing an exhibit—from a concept through to a physical, three-dimensional exhibition. It is a continually evolving field, drawing on innovative, creative, and practical solutions to the challenge of developing communicative environments that 'tell a story' in a three-dimensional ...
Live In Your Head: When Attitudes Become Form was an exhibition at the Kunsthalle Bern curated by the Swiss curator, Harald Szeemann, in 1969. [1] The show is considered a groundbreaking landmark for Postminimalist and Arte Povera work which, according to the New York Times, was "arguably the most famous exhibition of new art of the postwar era."