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The opposite of painterly is linear, plastic or formal linear design. [1] Linear could describe the painting of artists such as Botticelli, Michelangelo, and Ingres, whose works depend on creating the illusion of a degree of three-dimensionality by means of "modeling the form" through skillful drawing, shading, and an academic (rather than impulsive) use of color.
It is commonly used as decoration, especially on garments. The technique is accomplished either by hand stitching or machine. Appliqué is commonly practised with textiles, but the term may be applied to similar techniques used on different materials. In the context of ceramics, for example, an appliqué is a separate piece of clay added to the ...
Passementerie of cording and braid, embellished with beads, French, 1908. Passementerie (/ p æ s ˈ m ɛ n t r i /, French pronunciation: [pɑsmɑ̃tʁi]) or passementarie is the art of making elaborate trimmings or edgings (in French, passements) of applied braid, gold or silver cord, embroidery, colored silk, or beads for clothing or furnishings.
Today the term gown is rare except in specialized cases: academic dress or cap and gown, evening gown, nightgown, hospital gown, and so on (see Gown). Shirt and skirt are originally the same word, the former being the southern and the latter the northern pronunciation in early Middle English .
1. A dressmaker is a person who makes custom clothing for women, such as dresses, blouses, and evening gowns. Also called a mantua-maker (historically) or a modiste. 2. Dressmaker as an adjective denotes clothing made in the style of a dressmaker, frequently in the term dressmaker details which includes ruffles, frills, ribbon or braid trim.
While onlookers no doubt attempted to decipher the meaning behind the dress, Ratajkowski was quick to tell WSJ. Magazine that she simply fell for the dress the moment she laid eyes on it.
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Heinrich Wölfflin (German: [ˈhaɪnʁɪç ˈvœlflɪn]; 21 June 1864 – 19 July 1945) was a Swiss art historian, esthetician and educator, whose objective classifying principles ("painterly" vs. "linear" and the like) were influential in the development of formal analysis in art history in the early 20th century. [1]