Search results
Results From The WOW.Com Content Network
Evelyn "Eve" Alice Jane Evans CBE (22 March 1910 – 2005) was a British librarian who founded libraries in Ghana and elsewhere. Life. Evans was born in Coventry in ...
Writing for AllMusic, music critic Thom Jurek wrote of the album, "This is a tough recording; it flies in the face of the conventions Evans himself has set, and yet retrains [sic] the deep, nearly profound lyricism that was the pianist's trademark."
The Bill Evans Album: Based on a tone row: T.T.T.T. (Twelve Tone Tune Two) 1973: The Tokyo Concert: Based on a tone row: The Two Lonely People: 1971: The Bill Evans Album: Lyrics by Carol Hall for the performance of the song by Tony Bennett: Very Early: 1949 (appr.) 1962: Moon Beams: Evans's first-known tune composed when he was an ...
Evans wanted to be the first to explore the provocative chord changes hidden just beneath their sumptuous melodies." [15] The album's two originals by Evans, "B Minor Waltz" and "We Will Meet Again," are dedicated, respectively, to his common-law wife, Ellaine Schultz, and his brother, Harry, both of whom had taken their own lives. [16]
The Elephant Elephant EP is the debut release by Evelyn Evelyn.It was first sold to the public on September 13, 2007 and consists of a 3-song 7" single and a 6-track "bonus" CD (as well as a sticker of a conjoined elephant).
The following is a listing of the jazz pianist Bill Evans's original albums. He recorded over 50 albums as a leader between 1956 and 1980 and also played as a sideman on nearly as many more. He recorded over 50 albums as a leader between 1956 and 1980 and also played as a sideman on nearly as many more.
A Simple Matter of Conviction is an album by jazz pianist Bill Evans, released in 1967 on Verve. It's the second and last collaboration between Evans and Shelly Manne after their 1962 Empathy album.
Everybody Digs Bill Evans was Evans's second album as a leader and 30th recording project overall, [3] completed 27 months after his first record as a leader, New Jazz Conceptions; Orrin Keepnews had wanted Evans to record a follow-up album to his debut sooner, but the self-critical pianist "resolutely refused to consider himself ready for another effort on his own" before this album.