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This is in line with the Greek idea that even the gods could be polluted by death, and hence anything related to the sacred had to be kept away from death and dead bodies. Hence, many inscriptions in Greek temples banned those who had recent contact with dead bodies. [8] After the body was prepared, it was laid out for viewing on the second day.
In the 600s B.C., Athens moved away from abstract geometric patterns, and toward more natural art, influenced by the Near East. [10] Images from vases can provide information about religion, beliefs, and how people lived, including burial rites.
Kerameikos is known as the ancient potters quarter on the northwest side of the ancient city of Athens and translates to "the city of clay." A krater is a large Ancient Greek painted vase used to mix wine and water, but the large kraters at the Dipylon cemetery served as grave markers .
Archaeologists also found a brewery from the 19th century during the construction in Poland.
The Etruscan style influenced late Ancient Greek, especially in the manner of showing the dead as they had been in life, typically in the stele (stone or wooden slabs usually built as funerary markers) format. [10] Any aspects of the style were adapted by the Romans, and eventually spread as far as Western Asia. [8]
Grave Circle A is a 16th-century BC royal cemetery situated to the south of the Lion Gate, the main entrance of the Bronze Age citadel of Mycenae in southern Greece. [1] This burial complex was initially constructed outside the walls of Mycenae and ultimately enclosed in the acropolis when the fortification was extended during the 13th century BC. [1]